Avant-garde. Series 3 experimental cinema, 1922-1954

Avant-garde. experimental cinema, 1922-1954 / Series 3

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Long before home video there flourished an alternative cinema culture on college campuses and around art theaters, where foreign film fare was often accompanied by a short subject. As reliable 16mm film equipment became available to non-professionals, artists independent of film centers began experi...

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Bibliographic Details
Corporate Authors: Visual Symphony Productions, Inc, Workshop 20, California School of Fine Arts (San Francisco, Calif.), Farallone Films, Official Films (Firm), George Eastman House, Rohauer Collection, Kino International Corporation
Other Authors: Bolm, Adolf, 1894-1951 (Performer), Page, Ruth, 1899-1991 (Performer), Howland, Olin, 1886-1959 (Actor), Murphy, Dudley, 1897-1968 (Director), Cavalcanti, Alberto, Klein, Charles F., Watson, James S. (James Sibley), 1894-, Bute, Mary Ellen, Nemeth, Ted, 1911-1986, Munson, Kent, Huff, Theodore, Peterson, Sidney, 1905-2000, Broughton, James, 1913-1999, Patchen, Kenneth, 1911-1972, Kessler, Chester, Kirsanov, Dmitri, 1899-1957, Maas, Willard, Whitney, John, Sr., 1917-1995, Rohauer, Raymond, Schmitz, John E., Cocteau, Jean, 1889-1963, Marc'O, Winik, Leslie, Parker, John J., Spring, Robert H., Eastman, George, 1854-1932
Format: Video
Language:English
French
Published: New York, NY : Kino International, c2009.
Edition:Deluxe two-disc ed.
Subjects:
Art, Abstract > In motion pictures.
Motion pictures > United States > History.
Surrealism in motion pictures.
Visual literature.
Silent films.
Short films.
Film adaptations.
Experimental films.
Motion pictures > France > History.

Minneapolis College of Art and Design

Holdings details from Minneapolis College of Art and Design
Call Number: PN1995.9.E96 A8763 2009

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