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1
Textures and timbres : an orchestrator's handbook /
New York, NY : Carl Fischer, 2009Table of Contents: “…-- The piano as a pitch guide in preparing musical material for orchestration -- Equivalents of the piano's damper pedal -- Simulated bell timbres -- Wind timbres -- The four wind-timbre groups, studied separately -- The four wind-timbre groups in combinations -- Percussion timbres -- Classification of percussion instruments by dynamic range -- Definite-pitched percussion -- Indefinite-pitched percussion -- Definite- and indefinite-pitched percussion together-- The roll -- Composing for percussion -- Definite-pitched percussion with winds -- The piano as an orchestral instrument -- Pizzicato timbres -- Pizzicato group and piano staccato -- Pizzicato group and definite-pitched percussion with piano staccato -- Pizzicati in unison with winds (groups I, II, and III) -- The bowed strings -- Wind-groups I and II with bowed strings -- Bowed strings with horns and saxophones (wind-group III) -- Bowed strings with open trumpets and trombones (wind-group IV) -- Bowed strings with open tuba and euphonium (wind-group IV) -- Tutti formations -- Epilogue.…”
Format: Book
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2
The Orchestrator's handbook : a complete, concise and informative reference manual for the student, arranger, composer, copyist, conductor, instructor, orchestrator, instrumentalist /
New York : Staff Music Pub. Co., 1972Subjects: “…Instrumentation and orchestration.…”
Format: Book
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3
Orchestration /
New York : Norton, 1955Table of Contents: “…Keyboard instruments -- [pt.] 2. Analysis of orchestration -- 19. Types of texture : type I, orchestral unison -- 20. …”
[First edition].
Format: Book
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4
Orchestration,
New York, Macmillan, 1947Subjects: “…Instrumentation and orchestration.…”
2d ed.
Format: Book
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5
Orchestration.
London, Macmillan, 1914Subjects: “…Instrumentation and orchestration.…”
Format: Book
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6
Orchestration.
London : Macmillan, 1926Subjects: “…Instrumentation and orchestration…”
Format: Book
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7
Orchestration /
New York : W.W. Norton & Company, Inc., 1955Table of Contents:Format: Book
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8
Orchestration.
New York : Norton, 1955Subjects: “…Instrumentation and orchestration…”
[1st ed.].
Format: Book
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9
Orchestrated /
[London] : BMG Rights Management UK, 2017Format: Audio
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10
Orchestration : a practical handbook /
New York : McGraw-Hill, 1959Table of Contents:Format: Book
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11
The Orchestration /
Denver, Colorado : Outskirts Press, 2015Format: Book
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12
Orchestration.
New York : The Macmillan co., 1936Subjects: “…Instrumentation and orchestration…”
2d ed.
Format: Book
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13
Orchestration,
London, Macmillan and Co., Limited 1935Subjects: “…Instrumentation and orchestration.…”
2d ed.
Format: Book
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14
Orchestral /
London : NMC Recordings Ltd, 2014Subjects: “…Orchestral music Great Britain.…”
Format: Audio
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15
Orchestration : an anthology of writings /
New York : Routledge, 2006Table of Contents: “…The early nineteenth century : Beethoven's orchestration. -- The late nineteenth century : French and German orchestration I -- Interlude : orchestral possibilities on the eve of the new music -- The turn of the twentieth century : French and German orchestration II -- The early twentieth century : Klangfarbenmelodie and texture -- Later twentieth-century innovations.…”
Format: Book
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16
Orchestration /
Englewood Cliffs, N.J. : Prentice-Hall, 1982Table of Contents: “…Writing for orchestra. Introduction to orchestration -- Notation of the orchestral score -- Scoring individual melodic lines -- Scoring chords, accompaniment, and other textures -- Arranging for orchestra -- Scoring for other ensembles -- Bringing the score to performance. …”
Format: Book
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17
Orchestration /
Format: Book
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18
Orchestration,
New York, Macmillan, 1946Subjects: “…Instrumentation and orchestration.…”
2d ed.
Format: Book
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19
The living clock : the orchestrator of biological rhythms /
Oxford ; New York : Oxford University Press, 2002Format: Book
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20
Scoring the score : the role of the orchestrator in the contemporary film industry /
New York, NY : Routledge, 2017Table of Contents: “…Interviews and interviewees -- Orchestrating and arranging -- Becoming an orchestrator -- The impact of technology -- Involvement in a film-scoring project -- Working practices -- Local differences in a global industry -- The role of the orchestrator in the contemporary film industry -- Appendix A: outline interview schedules -- Appendix B: interviewee details -- Appendix C: information on software packages.…”
Format: Book
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