The church modes, opus 82 / by Van Hulse, Camil, 1897-

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Chorale harmonization in the church modes / by Hamburger, Povl, 1901-

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Kanons in den Kirchentönen : für zwei und drei gleiche Blas-oder Streichinstrumente by Walter, Johann, 1496-1570

“…Canons in the church modes…”


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Kanons in den Kirchentönen : für zwei und drei gleiche Blas-oder Streichinstrumente = Canons in the church modes, for two or three equal string or wind instruments / by Walter, Johann, 1496-1570

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Theories of musical texture in Western history by White, John David, 1931-

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Theory of harmony by Schoenberg, Arnold, 1874-1951

Table of Contents: “…Secondary Dominants and Other NonDiatonic Chords Derived From The Church Modes --…”


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Key words in church music : definition essays on concepts, practices, and movements of thought in church music

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Harmony by Schenker, Heinrich, 1868-1935

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Tonal harmony: with an introduction to twentieth-century music by Kostka, Stefan M.

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Finding the right pitch II : a guide to the study of basic harmony. by Nivans, David

Table of Contents: “…A review of fundamentals -- ch. 2. The church modes -- ch. 3. Voice leading -- ch. 4. The six-four chord -- ch. 5. …”


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Introduction to the theory of music by Boatwright, Howard

Table of Contents: “…Intervals -- Rhythmic patterns -- Staff notation -- Note-values -- Meters -- Foreign patterns -- Syncopation -- Phrases in rhythmic outline -- Scales in general: melodic successions -- Church modes: melody-writing modeled on Gregorian Chant -- Early use of major and minor scales. …”


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Medieval music by Arnold, Joan, 1948 April 7-

Table of Contents: “…Church music ; Instruments of the church ; Modes ; Writing music ; Plainsong ; Antiphony -- Music of the guilds and townsfolk. …”


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The development of western music : a history by Stolba, K Marie

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Madrigal singing; a few remarks on the study of madrigal music with an explanation of the modes and a note on their relation to polyphony. by Scott, Charles Kennedy, 1876-1965

Table of Contents: “…Introductory -- Verse and Music -- Characteristics of Polyphony and Monodia -- Relation of Polyphony to Performance -- Melody and Harmony -- Rhythm -- Performance of Madrigals as regards Rhythm -- The Expression of Dissonance -- Accent of Chord on Minor Seventh -- Acccent on Chromatic Notes -- Special Progressions -- Voice Production -- Vowels -- Quality of Tone -- Articulation -- Attack and Finish -- General Style of singing Madrigals -- Cadences -- Accent, &c -- Verbal Phrasing -- Musical Phrasing -- Relation of Words to Notes -- Melismatic Melody -- Build of Madrigals -- Character -- Elizabethan Pronunciation -- Fa-La Refrains of Ballets, &c -- Transposition -- Speed -- Conclusion -- Appendixes -- A Note on the Modal System together with a Table of the Church Modes -- A Note on Ayres -- A List of our English Madrigal writers and their printed works, also a list of separate items published in 'Europe'.…”


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Theory of harmony by Schoenberg, Arnold, 1874-1951

Table of Contents: “…. -- Freer treatment of VII in major and minor -- Modulation -- Secondary dominants and other non-diatonic chords derived from the church modes -- Rhythm (Takt) and harmony -- Modulations: Continuation -- Relationship to the minor sub-dominant -- At the frontiers of tonality -- Modulation to the IInd, Vth, and VIth circles of fifthe ... -- Chorale harmonization -- "Non-harmonic" tones -- A few remarks concerning ninth chords -- Some additions and schematic presentations to round out the system -- The whole-tone scale and related five and six-part chords -- Chords constructed in fourths -- Aesthetic evaluation of chords with six or more tones.…”


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Theory of harmony = Harmonielehre by Schoenberg, Arnold, 1874-1951

Table of Contents: “…Foreword -- Translator's preface -- Arnold Schoenberg -- The diatonic triads of the major scale -- The minor mode -- Connection of chords that have no common tones -- Some suggestions for effecting tasteful progressions ; for the melodic leading of the two outer voices ; on closes, cadences, deceptive cadences, and the six-four chord in the cadence -- Freer treatment of VII in major and in minor -- Modulation -- Secondary dominants and other altered chords from the church modes -- Rhythm and harmony -- Modulation -- The minor sub-dominant relation -- At the boundaries of tonality -- Modulation to keys two, five and six times removed on the circle of fifths ; to key seven and eight times removed and to closer keys, by successive steps and intermediate keys -- Harmonizing the chorale -- Non-harmonic tones -- Some observations on ninth chords -- Some additional ideas that enlarge the system -- The whole tone scale and its five and six tone chords -- Fourth chords -- Index.…”


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Time past, time future : an historical study of Catholic moral theology by Gallagher, John A., 1940-

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Fundamentals of music by Henry, Earl

Table of Contents: “…The nature of sound ; The C clef and octave designations ; The authentic church modes, the pentatonic scale ; Calligraphy ; Terms and symbols of tempo and expression.…”


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Improvising in traditional 17th- and 18th-century harmonic style : a volume based on the musical language of the mature baroque by Shannon, John R.

Table of Contents: “…Introduction -- Expanded use of the dominant-seventh chord and temporary modulation to the dominant -- The minor mode -- Three specialized chords : the supertonic six-five, the diminished seventh, and the Neopolitan sixth -- Harmonic sequences -- New considerations about melody -- Improvising two baroque dances -- The use of rhythmic motives -- The use of keyboard figuration and improvisation on a ground bass -- Introducing counterpoint and improvising a bicinium -- Improvising a short prelude -- More advanced ways of introducing a hymn -- Improvising a chorale motet -- Improvising a short fugue -- Accompanying hymns -- Accompanying anthems -- Glossary -- Appendix I : Figurenlehre (Doctrine of the figures) -- Appendix II : The church modes.…”


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The concise Oxford history of music by Abraham, Gerald, 1904-1988

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