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1
Studies in counterpoint; based on the twelve-tone technique
New York, G. Schirmer, Inc. 1940Format: Book
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2
From musical folklore to twelve-tone technique : memoirs of a musician between East and West /
Lanham, Md. : Scarecrow Press, 2004Format: Book
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3
12 short piano pieces : written in the twelve-tone technique /
New York : G. Schirmer, 1939Format: Musical Score Book
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4
12 short piano pieces : written in the twelve-tone technique : op. 83 /
New York : G. Schirmer, 1939Format: Musical Score Book
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5
Music in the United States
Dubuque, Iowa : Wm. C. Brown Company Publishers, 1968Table of Contents:Format: Book
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6
Music in the 20th century : from Debussy through Stravinsky
New York : W.W. Norton & Company, 1966Table of Contents: “…Schoenberg to the twelve-tone technique (1922) --…”
Format: Book
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7
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8
Contemporary tone-structures
New York : Teachers College, Columbia University, 1955Table of Contents: “…Structural development in the twelve-tone technique --…”
Format: Book
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9
Basic post-tonal theory and analysis
New York : Oxford University Press, 2019Table of Contents: “…Musical units -- Musical spaces -- Trichords and trichord classes -- The set-class universe -- Tonality in transition -- Structural models -- Instrumental forms -- Modern approaches to meter and rhythm -- The twelve-tone method -- Twelve-tone techniques.…”
Format: Book
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10
Techniques of twentieth century composition.
Dubuque, Iowa, W.C. Brown Co. 1957Table of Contents: “…Introduction -- Melodic contour and organization -- Modal melodic resources -- Distinctive twentieth century melodic practices -- Harmonic structure -- Harmonic progression -- Rhythm and meter -- Tonality -- Cadences -- Nonharmonic materials -- Motivation of harmony -- Thematic metamorphosis -- Imitative procesures -- The twelve tone technique -- Special effects -- Digest of form -- Practical suggestions.…”
Format: Book
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11
Techniques of twentieth century composition.
Dubuque, Iowa, W.C. Brown Co. 1964Table of Contents: “…Melodic contour and organization -- Modal melodic resources -- Distinctive twentieth century melodic practices -- Harmonic structure -- Harmonic progression -- Rhythm and meter -- Tonality -- Cadences -- Nonharmonic materials -- Motivation of harmony -- Thematic metamorphosis -- Imitative procedures -- The twelve-tone technique -- Experiments and innovations -- Digest of forms.…”
2d ed. [rev.].
Format: Book
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12
Hamline studies in musicology.
Minneapolis, Burgess Pub. Co., 1945Table of Contents: “…--A study of linear design in Gregorian chant and music written in the twelve-tone technique, by Martha Johnson.--v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krěnek. …”
Format: Book
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13
Hamline studies in musicology.
Minneapolis : Burgess Pub. Co., 1945Table of Contents: “….- A study of linear design by Gregorian chant and music written in the twelve-tone technique, by Martha Johnson.- v. 2. A discussion of the treatment of dissonances in Okeghem's masses as compared with the contrapuntal theory of Johannes Tinctoris, by Ernst Krenek. …”
Format: Book
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14
The Second Vienna school : expressionism and dodecaphony
London : Calder, 1977Table of Contents: “…The disintegration of tonality and the interiorization of expression -- The new vocal style and the dramatic hallucination -- The destiny and the heritage of expressionism : Gebrauchsmusik and the twelve-tone technique -- Arnold Schoenberg's individuation of the dodecaphonic system -- The lyric experience of Alban Berg -- The musical theatre of Alban Berg -- Drama and music in Arnold Schoenberg's dodecaphonic experience -- Technique and language in Schoenberg's last works -- The expressionism and abstraction of Anton Webern -- The humanism of Anton Webern.…”
Format: Book
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15
Tonality in modern music
New York, N.Y. : Collier Books, 1962Table of Contents: “…Part one, Tonality: includes 'The tonality of Debusy' -- Part two, Atonality: Schoenberg's search for a new style ; Composition with twelve notes ; Twelve-tone technique in evolution -- Part three, Pantonality: Bitonality and polytonality ; Fluctuating harmonies ; Specific facets of pantonality ; The role of pantonality as a general synthesis -- Aesthetic epilogue: Romantic anti-romanticism ; Each Time engenders its art -- Art generates the time…”
1st Collier books ed.
Format: Book
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16
Twentieth-century music idioms.
Englewood Cliffs, N.J. : Prentice-Hall, 1964Table of Contents: “…Non-serial composition ; Contrapuntal procedures ; Pointillism -- The twelve-tone technique. The tone row ; Melodic writing ; Two-part writing ; Multi-voice writing -- Harmonic directions. …”
Format: Book
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17
Composers on music : an anthology of composers' writings from Palestrina to Copland
New York, Greenwood Press 1969Table of Contents:Format: Book
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18
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19
Music in the 20th century : from Debussy through Stravinsky
New York : W.W. Norton, 1966Table of Contents: “…The emergence of jazz, to about 1923 ; Schoenberg to the twelve-tone technique (1922) ; Bartók to the Dance suite (1923) ; Stravinsky to the octet and The wedding (1923) ; Jazz, mainstream and modern ; Schoenberg to his death (1951) ; Bartók to his death (1945) ; Stravinsky to The rake's progress (1951) -- "Horizons still more luminous". …”
[1st ed.].
Format: Book
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20
Philosophy of modern music
New York, Seabury Press 1973Table of Contents: “…Choice of subject matter -- New conformism -- False musical consciousness -- "Intellectualism" -- Modern music unprotected -- The antinomy of modern music -- Growing indifferentism -- On method -- Schoenberg and progress: disturbance of the work -- Inherent tendency of musical material -- Schenberg's criticism of illusion and play -- Dialectics of loneliness -- Loneliness as style -- Expressionism as objectivity -- Total organization of the elements of music -- Total development -- The concept of twelve-tone technique -- Musical domination of nature -- Loss of freedom -- Twelve-tone melos and rhythm -- Differentiation and coarsening -- Harmony -- Instrumental timbre -- Twelve-tone counterpoint -- Function of counterpoint -- Form -- The composers -- Avan-tgarde and theory -- Renunciation of material -- Cognitive character -- Attitude towards society.…”
Format: Book