Imagic moments : indigenous North American film by Schweninger, Lee

Table of Contents: “…Introduction: where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: ordered freedom in The exiles -- The native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: the art of disappearing in Smoke signals -- Making his own music: death and life in The business of fancydancing -- Sharing the kitchen: Naturally native and women in American Indian film -- In the form of a spider: the interplay of narrative fiction and documentary in Skins -- The stories pour out: taking control in The doe boy -- Telling our own stories: seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.…”


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Imagic moments : indigenous North American film by Schweninger, Lee

Table of Contents: “…Introduction: Where to concentrate -- He was still the chief: Masayesva's imagining Indians -- Into the city: Ordered freedom in The exiles -- The Native presence in film: House made of dawn -- A concordance of narrative voices: Harold, trickster, and Harold of Orange -- I don't do portraits: Medicine River and the art of photography -- Keep your pony out of my garden: Powwow highway and "being Cheyenne" -- Feeling extra magical: The art of disappearing in Smoke signals -- Making his own music: Death and life in The business of fancydancing -- Sharing the kitchen: Naturally Native and women in American Indian film -- In the form of a spider: The interplay of narrative fiction and documentary in Skins -- The stories pour out: Taking control in The doe boy -- Telling our own stories: Seeking identity in Tkaronto -- People come around in circles: Harjo's Four sheets to the wind -- Epilogue: Barking water and beyond.…”


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Gaudí : his life, his theories, his work by Martinell, César, 1888-1973

Table of Contents: “…Raheja -- Indians watching Indians on TV : native spectatorship and the politics of recognition in Skins and Smoke Signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The Business of Fancydancing / Theo Van Alst -- Elusive identities : representations of native Latin America in the contemporary film industry / Rocio Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It Starts with a Whisper and Mohawk Girls / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. …”


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Visualities : perspectives on contemporary American Indian film and art

Table of Contents: “…Raheja -- Indians watching Indians on TV : Native dpectatorship and the politics of recognition in Skins and Smoke signals / Joanna Hearne -- Sherman shoots Alexie : working with and without reservation(s) in The business of fancydancing / Theo. Van Alst -- Elusive identities : representations of Native Latin America in the contemporary film industry / Rocío Quispe-Agnoli -- Condolence tropes and Haudenosaunee visuality : It starts with a whisper (1993) and Mohawk girls (2005) / Penelope Myrtle Kelsey -- Videographic sovereignty : Hulleah J. …”

The Portable western reader

Table of Contents: “…Louis -- The business of fancydancing ; My heroes have never been cowboys / Sherman Alexie -- The passing wisdom of birds / Barry Lopez -- A supermarket in California / Allen Ginsberg.…”


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