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41
Vision : human and electronic.
New York : Plenum Press, 1973Subjects:Format: Book
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42
CD's, super glue, and salsa : how everyday products are made : series II
Detroit, Mich. : UXL, 1996Subjects:Format: Book
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43
Germaine Krull : photographer of modernity
Cambridge, Mass. : MIT Press, 1999Table of Contents: “…"The Valkyrie of Photographic Film": Art and Commerce in Paris, 1926-1935.…”
Format: Book
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44
Shaping losses : cultural memory and the Holocaust
Urbana : University of Illinois Press, 2001Table of Contents:Format: Book
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45
Photonics essentials : [an introduction with experiments]
New York : McGraw-Hill, 2003Table of Contents:Format: Book
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46
The economics of advertising
Northampton, MA : Edward Elgar Pub., 2001Table of Contents: “…Entry, Its Deterrence, and Its Accommodation: A Study of the U.S. Photographic Film Industry /…”
Format: Book
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47
Microwaves : industrial, scientific, and medical applications
Boston : Artech House, 1992Table of Contents:Format: Book
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48
Andy Warhol : the late work
Munich ; New York : Prestel, 2004Table of Contents: “…Paintings & wallpapers -- v. 2. Photographs/films/videos/books/interviews -- v. 3. Texts.…”
Format: Book
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49
The practical handbook for the emerging artist
Toronto, ON : Wadsworth/Thomsom Learning, 2002Table of Contents:
2nd ed.Format: Book
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50
James Casebere : works 1975-2010
Bologna, Italy : Damiani Editore, 2011Table of Contents: “…Foreword / by Toni Morrison and Ford Morrison -- Camera imaginaria / by Hal Foster -- Photography and the illusion of history / conversation with James Casebere and Okwui Enwezor -- Photographs -- Film/installation/sculpture -- Checklist -- Chronology -- Selected bibliography -- Acknowledgments.…”
Format: Book
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51
Working Americans, 1880-2010. Volume XI, Inventors & entrepreneurs
2010Table of Contents:Format: Book
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52
Careers in focus. Photography.
New York NY : Ferguson, 2004Table of Contents: “…Archivists -- Art directors -- Camera operators -- Cinematographers and directors of photography -- Conservators and conservation technicians -- Exhibit designers -- Fashion photographers -- Film and television editors -- Food photographers -- Graphic designers -- Medical photographers -- Photo editors -- Photo stylists -- Photographers -- Photographic equipment technicians -- Photographic laboratory workers -- Photography instructors -- Photography store managers and workers -- Photojournalists -- Sports photographers.…”
Format: Book
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53
Market dominance : how firms gain, hold, or lose it and the impact on economic performance
Westport, Conn. : Praeger, 1998Table of Contents: “…Introduction -- Dominance in the oil industry : Standard Oil from 1865 to 1911 -- Tobacco : predation and persistent market power -- Alcoa and the U.S. aluminum industry -- Dow Chemical and the magnesium industry -- Eastman Kodak in the photographic film industry : picture imperfect? -- The rise and fall of Ford and General Motors in the U.S. automobile industry : a tale twice told -- The rise and fall of IBM -- Microsoft -- Blue Cross : health insurance -- AT & T's grand design for dominance in the global information age -- Conclusion.…”
Format: Book
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54
The power of pictures : early Soviet photography, early Soviet film
New York, NY : New Haven, CT : The Jewish Museum, New York ; Yale University Press, 2015Table of Contents: “…Avant-garde and after : photography in the early Soviet Union / Susan Tumarkin Goodman -- Film is conflict / Jens Hoffmann -- Soviet photography of the 1920s and 1930s in its cultural context : the photo landscape of the period / Alexander Lavrentiev -- Photographs -- Films -- Printed matter -- Artists.…”
Format: Book
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55
Fluorescence microscopy
Cambridge ; New York : Cambridge University Press, 1992Table of Contents: “…Appendices -- German -- English vocabulary -- Checklist of features of fluorescence microscope -- The laboratory microscope -- Faults in the microscope and possible remedies -- Data on photographic films for fluorescence photomicrography -- Reciprocity failure -- Relative brightness of image on film in various formats -- Faults in photomicrographs and possible remedies -- References.…”
Format: Book
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56
Gaffers, grips, and best boys
New York : St. Martin's Press, 1994Table of Contents: “…Executive producer, producer -- The changing face of the motion picture business -- Story analyst -- Production executive -- Entertainment attorney -- Screenwriter -- Director -- Production designer -- Art director -- Set decorator -- Director of photography -- Stuntperson -- Actor -- Sound mixer, boom operator, third man -- Gaffer, grip, electrician best boy, rigger, nursery man, standby painter -- Computer graphics supervisor -- Visual effects supervisor -- Visual effects producer -- Film editor, assistant editor, apprentice editor -- Sound effects editor -- Motion picture rater -- Vice president of publicity and promotion, independent publicist, unit publicist, unit photographer -- Film trailer producer and graphic designer -- Motion picture sales executive -- Glossary.…”
[2nd ed.].
Format: Book
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57
Teaching history with community resources
New York, Bureau of Publications, Teachers College, Columbia University, 1964Table of Contents: “…Building community resources: Library resources (Books and pamphlets ; Newspapers ; Diaries and letters ; Account books and ledgers ; Photographs ; Films ; Tape recordings) -- 5. Special activities: The history fair ; Folk fairs ; Historical markers ; Inventory of historical objects ; Heirloom shows ; Family history.…”
Format: Book
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58
Recycled culture in contemporary art and film : the uses of nostalgia
Cambridge ; New York : Cambridge University Press, 2003Table of Contents: “…pt. 1: The returned image -- The photographic/film image -- Attacks on the image -- The new image -- The nostalgia film -- Strategies of resistance -- Mainstream film in the 1970s -- A cinema of loneliness -- The MOCA show -- pt. 2: Art and film: New York City in the late 1970s -- The structural film -- Pictures -- Jack Goldstein -- Two fencers -- Robert Longo -- Cindy Sherman -- Amos Poe -- pt. 3: Returned genres: The dream has ended -- Badlands -- The return of the real -- The Texas chainsaw massacre -- The shootist -- The last waltz -- pt. 4: Reconsidering the nostalgia film -- American graffiti -- The conformist -- The rocky horror picture show -- pt. 5: A return to the 1950s: The dangers in Utopia -- Grease -- Utopia rejected -- Last exit to Brooklyn -- pt. 6: Coppola and Scorsese: Authorial views -- Apocalypse now -- One from the heart -- The last temptation of Christ -- pt. 7: To destroy the sign -- The loss of the real -- Television -- Serialized forms -- The return of the classical film genres -- The stalker film -- The western -- The gangster/crime film.…”
Format: Book
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59
The guide to amateur astronomy
Cambridge [Cambridgeshire] ; New York : Cambridge University Press, 1988Table of Contents: “…Amateur fundamentals : getting started : Amateur's universe -- How to locate objects in the night sky -- Buying a telescope -- Mountings & alignment -- Developing observational skills -- Solar system -- Deep space -- Telescopic sketching -- Guide to the night sky : Summer, Autumn, Winter, Spring -- Locating the planets -- Compact atlas of the night sky -- Amateur observing advanced : projects & techniques : Advanced lunar & solar observation -- Mars, Jupiter, Saturn -- Tracking the asteroids -- Metrowatch : Fireflies in an atmospheric net -- Stars : classic doubles -- Challenging variables -- Close stellar neighbours -- Backyard photometer -- Microcomputers & the amateur astronomer -- Star parties & public meetings -- Notes on Comet Halley, 1986 Jack Newton -- Complete guide to astrophotography : First subjects -- Mounting the camera -- Aligning the telescope -- Guided photography -- Cold camera -- Moon & planets -- Photographing the sun -- Solar prominence spectroscopes -- Solar eclipse photography -- Photographic films -- Darkroom procedures -- Eclipse expeditions -- Build-it-yourself astronomer : Telescope of your own : grinding & figuring the mirror -- Dobsonian -- Constructing a cold camera -- Home observatory -- Build a comparator -- Sky nomenclature -- Care & adjustment -- Star colours & spectral classes.…”
Format: Book
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60
Emotion on demand : an actor's workbook for mastering emotional triggers
Hollywood, [Calif.] : Drama Publishers/Quite Specific Media Group, 2010Table of Contents: “…-- Testing your objective -- Real Life, Imagination, & 50/50 -- Real life -- Imagination -- 50/50 -- Core Sources -- Core sources defined -- Locating moments -- Identifying core sources -- Lists and examples -- A dreamer examines his pillow -- Sensory Questions -- Trigger Traps & Pitfalls -- Playing at the mood -- Pushing -- Being self-indulgent -- Over-preparing -- Feeling Blocked -- In process -- Tips & Tricks -- Getting to sadness from a moment of joy -- Using loved ones -- Overlaying -- Physical triggers -- Photographs & films -- Unresolved choices -- Physical pain -- Fear -- Instant connection -- Hot & cold -- Prepping for tears -- Letting the Feeling Go -- The Contract -- The Emotional Focus Warm-Up -- Working from an Event -- Working from an Emotion -- Working from a Given Scenario -- Words of Wisdom -- Physical Triggers -- News Story -- Sensory Events -- Best Friend's Eulogy -- Your Eulogy -- Music Work -- Core Emotion Monologue -- Working from a Line of Dialogue -- More Technique -- Super-objective -- Emotional relationship -- Moment before -- Intentions -- Environment/fourth wall -- Obstacles -- Background/inner imagery -- Stakes -- Physical life, business doings -- Vew of the world -- Destination -- Trusting the work -- One Final Note -- Fifty Character Questions.…”
Updated and expanded [ed.].
Format: Book
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