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1
West German filmmakers on film : visions and voices
New York : Holmes & Meier, 1988Table of Contents: “…The writing out of West German film history --…”
Format: Book
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2
Gender and German cinema : feminist interventions
Providence : Berg, 1993Table of Contents: “…Gender and representation in new German cinema -- v. 2. German film history/German history on film.…”
Format: Book
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3
A critical history of German film
Rochester, N.Y. : Camden House, 2010Table of Contents: “…Introduction : critical film history and German studies -- Early German film history 1895-1918 -- Weimar cinema 1919-1933 -- Nazi cinema 1933-1945 -- German cinema at the zero hour 1945-1949 -- Postwar East German cinema 1949-1989 -- Postwar West German cinema 1949-1989 -- German film after reunification 1990-2010.…”
Format: Book
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4
Unsettling scores : German film, music, and ideology
Indianapolis : Indiana University Press, 2005Table of Contents: “…Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack : the example of Beethoven's Ninth -- A Wagnerian German requiem : Syberberg's Hitler (1977) -- Alexander Kluge's Songs without words : Die Patriotin (1979) -- Fassbinder's compromised request concert : Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords : Austrian music and Visconti's Senso (1954) -- Conclusion : film music and cultural memory.…”
Format: Book
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5
No place like home : locations of Heimat in German cinema
Berkeley : University of California Press, 2005Table of Contents: “…Evergreens: the place of Heimat in German film history -- Therapeutic topographies: from Ludwig Ganghofer to the Nazi Heimatfilm. …”
Format: Book
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6
Generic histories of German cinema : genre and its deviations
Rochester, New York : Camden House, 2013Table of Contents: “…Alter -- The limits of futurity: German science fiction film in the course of time / Lutz Koepnick -- The situation is hopeless, but not desperate: UFA's early sound film musicals / Eric Rentschler -- Resisting the war (film): Wicki's "masterpiece" Die Brucke (1959) and its generic transformations / Jaimey Fisher -- Ironizing identity: the German crime genre and the Edgar Wallace production trend of the 1960s / Sascha Gerhards -- From Siodmak to Schlingensief: the return of history as horror / Kris Vander Lugt -- Producing adaptations: Bernd Eichinger, Christiane F., and German film history / Hester Baer -- Exceptional thrills: genrification, Dr. …”
Format: Book
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7
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8
Joyless streets : women and melodramatic representation in Weimar Germany
Princeton, N.J. : Princeton University Press, 1989Format: Book