Tonal harmony: with an introduction to twentieth-century music by Kostka, Stefan M.

Table of Contents:

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Contemporary musicianship : analysis and the artist by Snodgrass, Jennifer

Table of Contents: “…The basics of pitch and rhythmic notation -- Major scales and key signatures -- Minor scales and key signatures -- Intervals -- Triads -- Seventh chords -- Lead sheet symbols -- Roman numerals and figured bass -- Phrases and cadences -- Non chord tones I -- Non chord tones II -- Secondary dominants -- Secondary leading tone chords -- Borrowed chords -- Modulations in popular music.…”


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Practical music theory : a guide to music as art, language, and life by Dunbar, Brian

Table of Contents: “…Tonicization -- 13. Borrowed chords -- 14. Augmented sixth chords -- 15. Neapolitan chords and altered/expanded dominants -- 16. …”


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Harmonic materials in tonal music : a programed [sic] course by Steinke, Greg A., 1942-

Table of Contents: “…A review of seventh chords and the dominant seventh -- Nondominant seventh chords -- Altered nonharmonic tones and secondary dominants -- Modulation to closely related keys -- Borrowed chords -- Augmented sixth chords -- The neapolitan sixth, altered dominants, and diminished seventh chords -- Chromatic third-relation harmony -- Modulation to foreign keys : part 1 -- Modulation to foreign keys : part 2 -- Ninth, eleventh, and thirteenth chords.…”


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The practice of harmony by Spencer, Peter, 1939-

Table of Contents: “…Augmented Sixth Chords -- 21. Borrowed Chords -- 22. The Neapolitan -- 23. Common Chord Modulation -- 24. …”


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Harmonic materials in tonal music : a programmed course by Steinke, Greg A., 1942-

Table of Contents: “…A review of seventh chords and the dominant seventh -- Non-dominant seventh chords -- Altered non-harmonic tones and secondary dominants -- Modulation to closely related keys -- Borrowed chords -- Augmented sixth chords -- The Neapolitan sixth, altered dominants and diminished seventh chords -- Chromatic third-relation harmony -- Modulation to foreign keys: part 1 -- Modulation to foreign keys: part 2 -- Ninth, eleventh, and thirteenth chords -- Appendix A: chord symbols -- Appendix B: piano styles -- Appendix C: Glossary of terms -- Appendix D: Orchestration chart.…”


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Harmony and ear training at the keyboard. by Shumway, Stanley

Table of Contents: “…Scales and triads: keyboard orientation -- Major and minor triads in root position -- Repeated triads -- Roots a fifth apart: tonic and dominant -- Roots a fifth apart: the primary triads -- Roots a second apart -- First inversion of triads -- Successive inverted triads -- Second inversion of the tonic triad -- The leading-tone triad -- The supertonic triad -- The submediant triad: roots a third apart -- The mediant triad -- Extensions of the triad vocabulary -- Review: chorale harmonization with triads -- Diatonic modulation (I) -- Diatonic modulation (II) -- Non-harmonic tones (I) passing and neighboring tones -- Non-harmonic tones (II) suspension and anticipation -- Diatonic seventh chords: dominant seventh -- The supertonic seventh -- The leading-tone seventh -- The subdominant seventh -- The submediant, tonic, and mediant sevenths -- Review: chorale harmonization with diatonic seventh chords -- Introduction to secondary dominants -- Secondary dominants of the dominant -- Secondary dominants of the subdominant -- Secondary dominants of the supertonic -- Secondary dominants of the submediant -- Chromatic modulation -- Borrowed chords -- The Neapolitan sixth, augmented triads -- Conventional augmented-sixth chords -- Review: melody harmonization with altered chords -- Ninth chords -- Additional uses of the augmented sixth -- Enharmonic modulation (I) -- Enharmonic modulation (II) -- Harmonic sequence -- Modal harmony -- Parallel harmony -- Quartal harmony -- Polychords -- Serialism.…”


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Music in theory and practice by Benward, Bruce, Saker, Marilyn Nadine

Table of Contents: “…Chromatic Harmony. Borrowed Chords -- Neapolitan 6th Chords -- Augmented 6th Chords -- Part E. …”


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Music in theory and practice by Benward, Bruce, Saker, Marilyn Nadine

Table of Contents: “…CHROMATIC HARMONY -- Macro analysis -- 4. Borrowed chords [Important concepts {Borrowed chords in major keys -- History} -- Applications {Doubling and voice leading} -- Assignments] -- 5. …”


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Music theory resource book by Owen, Harold, 1931-

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