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  1. 1

    The Routledge companion to philosophy and music

    Abingdon, Oxon ; New York : Routledge, 2011
    First edition.
    Format: Book


  2. 2

    Moribund music : can classical music be saved? by Beckingham, Carolyn

    Brighton ; Portland : Sussex Academic Press, 2009
    Format: Book


  3. 3

    Interpreting music by Kramer, Lawrence, 1946-

    Berkeley : University of California Press, 2011
    Format: Book


  4. 4

    Living electronic music by Emmerson, Simon, 1950-

    Aldershot, Hants, England ; Burlington, Vt. : Ashgate, 2007
    Format: Book


  5. 5

    A language of its own : sense and meaning in the making of Western art music by Katz, Ruth, 1927-

    Chicago : University of Chicago Press, 2009
    Format: Book


  6. 6

    Performing rites : on the value of popular music by Frith, Simon, 1946-

    Cambridge, Massachusetts : Harvard University Press, 1996
    Format: Book


  7. 7

    Understanding music : philosophy and interpretation by Scruton, Roger

    London ; New York : Continuum, 2009
    Format: Book


  8. 8

    African rhythm and African sensibility : aesthetics and social action in African musical idioms by Chernoff, John Miller

    Chicago : University of Chicago Press, 1979
    Format: Book


  9. 9

    Essays on music by Adorno, Theodor W., 1903-1969

    Berkeley, Calif. : University of California Press, 2002
    Format: Book


  10. 10

    Perspectives on musical aesthetics

    New York : W.W. Norton, 1994
    1st ed.
    Format: Book


  11. 11

    Soundtracks : a study of auditory perception, memory, and valuation by Harrell, Jean G. (Jean Gabbert), 1921-2011

    Buffalo, N.Y. : Prometheus Books, 1986
    Format: Book


  12. 12

    What makes music European : looking beyond sound by Sorce Keller, Marcello

    Lanham, Md. : Scarecrow Press, 2012
    Format: Book


  13. 13

    Music, the brain, and ecstasy : how music captures our imagination by Jourdain, Robert, 1950-

    New York : W. Morrow, 1997
    1st ed.
    Format: Book


  14. 14

    Harmonious triads : physicists, musicians, and instrument makers in ninteenth-century Germany by Jackson, Myles W.

    Cambridge, Mass. ; London : MIT, 2008
    Format: Book


  15. 15

    Deleuze and film music : building a methodological bridge between film theory and music by Redner, Gregg

    Bristol, UK ; Chicago, USA : Intellect, 2011
    Format: Book


  16. 16

    The musician as interpreter by Thom, Paul

    University Park, Pa. : Pennsylvania State University Press, 2007
    Format: Book


  17. 17

    Listening through the noise : the aesthetics of experimental electronic music by Demers, Joanna Teresa, 1975-

    Oxford ; New York : Oxford University Press, 2010
    Format: Book


  18. 18

    The work of music and the problem of its identity by Ingarden, Roman, 1893-1970

    Berkeley : University of California Press, 1986
    Format: Book


  19. 19

    Why classical music still matters by Kramer, Lawrence, 1946-

    Berkeley : University of California Press, 2007
    Format: Book


  20. 20

    German music criticism in the late eighteenth century : aesthetic issues in instrumental music by Morrow, Mary Sue, 1953-

    Cambridge, U.K. ; New York : Cambridge University Press, 1997
    Format: Book