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  1. 1
    Modernism in the 1920s : interpretations of modern art in New York from expressionism to constructivism

    Modernism in the 1920s : interpretations of modern art in New York from expressionism to constructivism by Platt, Susan Noyes, 1945-

    Ann Arbor, Mich. : UMI Research Press, 1985
    Format: Book


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  2. 2
    Textes dispersés / Miscellaneous texts

    Textes dispersés / Miscellaneous texts by Lyotard, Jean-François, 1924-1998

    Leuven : Leuven University Press, 2012
    Format: Book


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  3. 3
    The mirror of art, critical studies

    The mirror of art, critical studies by Baudelaire, Charles, 1821-1867

    Garden City, N. Y. : Doubleday, 1956
    Format: Book


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  4. 4
    Art as existence : the artist's monograph and its project

    Art as existence : the artist's monograph and its project by Guercio, Gabriele

    Cambridge, Mass. : MIT Press, 2006
    Format: Book


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  5. 5
    Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art,

    Pictorial composition and the critical judgment of pictures; a handbook for students and lovers of art, by Poore, Henry Rankin, 1859-1940

    New York, Putnam 1903
    13th ed., rev.
    Format: Book


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  6. 6
    Open questions : thirty years of writing about art

    Open questions : thirty years of writing about art by Molesworth, Helen, 1966-

    London ; New York : Phaidon, 2023
    Format: Book


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  7. 7
    The Appreciation of painting

    The Appreciation of painting by Turner, Percy Moore

    New York : Scribner, 1921
    Format: Book


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  8. 8
    Modern artists on art

    Modern artists on art

    Mineola, N.Y. : Dover Publications, 2000
    2nd, enl. ed.
    Format: Book


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  9. 9
    Art or anarchy?

    Art or anarchy? by Hartford, Huntington, 1911-2008

    Garden City, N.Y. : Doubleday, 1964
    [1st ed.].
    Format: Book


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  10. 10
    The open eye; in pursuit of art.

    The open eye; in pursuit of art. by Kuh, Katharine

    New York, Harper & Row 1971
    [1st ed.]
    Format: Book


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  11. 11
    Ruskin and the art of the beholder

    Ruskin and the art of the beholder by Helsinger, Elizabeth K., 1943-

    Cambridge, Mass. : Harvard University Press, 1982
    Format: Book


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  12. 12
    Lessons for teaching art criticism

    Lessons for teaching art criticism

    Bloomington, IN : Adjunct Clearinghouse for Art Education, ERIC Clearinghouse for Social Studies/Social Science Education, 1995
    Format: Government Document Book


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  13. 13
    Sharp tongues, loose lips, open eyes, ears to the ground

    Sharp tongues, loose lips, open eyes, ears to the ground by Obrist, Hans Ulrich

    Berlin : Sternberg Press, 2014
    Format: Book


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  14. 14
    Una mujer en el arte mexicano : memorias de Inés Amor

    Una mujer en el arte mexicano : memorias de Inés Amor by Amor, Inés, 1912-1980

    México : Universidad Nacional Autónoma de México, 1987
    Format: Book


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  15. 15
    The genius of the future ; studies in French art criticism: Diderot, Stendhal, Baudelaire, Zola, the brothers Goncourt, Huysmans.

    The genius of the future ; studies in French art criticism: Diderot, Stendhal, Baudelaire, Zola, the brothers Goncourt, Huysmans. by Brookner, Anita

    London, New York : Phaidon, 1971
    Format: Book


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  16. 16
    Wingless Pegasus, a handbook for critics.

    Wingless Pegasus, a handbook for critics. by Boas, George, 1891-1980

    Baltimore, Johns Hopkins Press, 1967
    Format: Book


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  17. 17
    Reviewing the arts

    Reviewing the arts by Titchener, Campbell B.

    Manwah, N.J. : Erlbaum Associates, 1998
    2nd ed.
    Format: Book


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  18. 18
    Understanding art

    Understanding art by Fichner-Rathus, Lois, 1953-

    Belmont, Calif. : Wadsworth/Thomson Learning, 2004
    7th ed.
    Format: Book


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  19. 19
    Dilettanti del disegno nell'Italia del Seicento : Padre Resta tra Malvasia e Magnavacca

    Dilettanti del disegno nell'Italia del Seicento : Padre Resta tra Malvasia e Magnavacca

    Roma : Campisano, 2013
    Format: Book


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  20. 20
    Origins, imitation, conventions : representation in the visual arts

    Origins, imitation, conventions : representation in the visual arts by Ackerman, James S.

    Cambridge, Mass. : MIT Press, 2002
    Format: Book


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