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1
Max Frisch /
New York : Twayne Publishers, 1967Table of Contents: “…Introduction: Max Frisch, native of Germany and Switzerland -- Early prose: apotheosis of longing and Weltschmerz -- Stiller: the quest for identity -- Homo faber: Oedipus in the atomic age -- Mein name sei Gantenbein: reality as fiction and fiction as reality -- The plays I: From Romanze to Zeitstück -- The plays II: responsibility toward self and society -- Conclusion.…”
Format: Book
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2
Understanding Max Frisch /
Columbia, S.C. : University of South Carolina Press, 1991“…Max Frisch.…”
1st ed.
Format: Book
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3
Stiller : Roman
[Frankfurt am Main] : Fischer Buc̈herei, 1965Format: Book
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4
Andorra : Stück in zwölf Bildern
Frankfurt am Main : Suhrkamp, 1967Format: Book
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5
Homo faber : ein Bericht
Frankfurt am Main : Suhrkamp, 1977Format: Book
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6
Ausgewählte Prosa
Frankfurt/M. : Suhrkamp, 1961
[3. Aufl.]Format: Book
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7
I'm not Stiller
New York : Vintage Books, 1958Format: Book
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8
Don Juan, oder : Die Liebe zur Geometrie : Komödie in fünf Akten
Frankfurt am Main : Suhrkamp, 1968
6. Aufl.Format: Book
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9
The firebugs (Herr Biedermann und die Brandstifter) : a learning-play without a lesson
New York : Hill and Wang, 1963
[1st Dramabook ed.].Format: Book
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10
The Contemporary novel in German : a symposium
Austin, Published for the Dept. of Germanic Languages of the University of Texas by the University of Texas Press 1967Table of Contents: “…The search for self, inner freedom, and relatedness in the novels of Max Frisch /…”
Format: Book
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11
On modern German literature.
University, Ala. : University of Alabama Press, 1970Table of Contents: “…Identity and Society : the world of Max Frisch --…”
Format: Book
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12
Perspectives on drama,
New York, Oxford University Press, 1968Table of Contents: “…On the nature of the theatre / Max Frisch.…”
Format: Book
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13
The iceman, the arsonist, and the troubled agent; tragedy and melodrama on the modern stage.
Seattle, University of Washington Press 1973Table of Contents: “…Modern tragedy: some pros and cons -- Tragedy and melodrama: alternate forms -- The plays and the approaches -- Eugene O'Neill (1888-1953) -- Tennessee Williams (1914- ) -- Arthur Miller (1915- ) -- Bertolt Brecht (1898-1956) -- Max Frisch (1911- ) -- Friedrich Duerrenmatt (1921- ) -- Decades and dramatic modes -- Dramas of money: some variations since 1875.…”
Format: Book
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14
The theatre of the absurd
Garden City, New York : Anchor Books, Doubleday and Company, Inc., 1961Table of Contents: “…Preface -- Introduction: the absurdity of the absurd -- Samuel Beckett: the search for the self -- Arthur Adamov: the curable and the incurable -- Eugene Ionesco: theatre and anti-theatre -- Jean Genet: a hall of mirrors -- Parallels and proselytes: Jean Tardieu, Boris Vian, Dino Buzzati, Ezio d'Errico, Manuel de Pedrolo, Fernando Arrabal, Amos Kenan, Max Frisch, Wolfgang Hildesheimer, Günter Grass, Robert Pinget, Harold Pinter, Norman Frederick Simpson, Edward Albee -- The tradition of the absurd -- The significance of the absurd -- Notes.…”
First edition.
Format: Book
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15
Reflections : essays on modern theatre
Garden City, N.Y. : Doubleday, 1969Table of Contents: “…pt. 1 -- The making of the contemporary theatre -- New form in the theatre -- Naturalism in perspective -- Ibsen: An enemy of the people; Hedda Gabler; The master builder -- Pirandello: master of the naked masks -- pt. 2 -- Some contemporary dramatists -- Brecht in 1969 -- Brecht and the English theatre -- "The Neurosis of the Neutrals": Max Frisch, Friedrich Dürrenmatt -- Ionesco and the creative dilemma -- "Truth" and documentation: a conversation with Rolf Hochhuth -- A Czech absurdist: Vaclav Havel -- Günter Grass the dramatist -- Peter Weiss: dramatist beyond Brecht and Beckett -- pt. 3 -- The future of the theatre -- Violence in modern drama -- Nudity: barely the beginning? …”
Format: Book
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16
Modern German drama
Boston : Houghton Mifflin, 1966Format: Book
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17
The best plays of 1962-1963 : The Burns Mantle yearbook
New York : Dodd, Mead, 1963Table of Contents: “…Contents: Stop the world--I want to get off / book, music and lyrics by Leslie Bricusse and Anthony Newley -- Who's afraid of Virginia Woolf / Edward Albee -- Tchin-Tchin / Sidney Michaels; based on the play by François Billetdoux -- P.S. 193 / David Rayfiel -- The collection / Harold Pinter -- The milk train doesn't stop here anymore / Tennessee Williams -- Andorra / Max Frisch; translated by Michael Bullock -- Mother Courage and her children / Bertolt Brecht; translated and adapted by Eric Bentley; music by Paul Dessau -- Rattle of a simple man / Charles Dyer -- She loves me / book by Joe Masteroff; music by Jerry Bock; lyrics by Sheldon Harnick; based on a play by Miklos Laszlo.…”
Format: Book
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18
Great plays, Sophocles to Albee.
New York, Holt, Rinehart and Winston 1975
3d ed.Format: Book
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19
The modern theatre
New York : The Macmillan Company, 1964Table of Contents: “…Woyzeck / Georg Buecher ; Maria Magdalena / Friedrich Hebbel ; The weavers / Gerhardt Hauptmann ; La ronde / Arthur Schnitzler ; The Marquis of Keith / Frank Wedekind ; Electra / Hugo von Hofmannsthal ; The Caucasian chalk circle / Bertolt Brecht ; The Chinese wall / Max Frisch ; The visit / Friedrich Duerrenmatt -- Norway and Sweden. …”
Format: Book
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20
New trends in 20th century drama; a survey since Ibsen and Shaw.
New York, Oxford University Press, 1967Table of Contents: “…Eliot as dramatist -- Existence in theory: Jean-Paul Sartre -- "This fever called living"-Armand Salacrou and Jean Anouilh -- Broadway Cortège-Tennessee Williams and Arthur Miller -- The case against Beckett -- Anti-theatre: Eugène Ionesco; Jean Genet; Arthur Adamov -- The invective of John Osborne -- The conscience of the neutrals: Max Frisch and Friedrich Dürrenmatt -- The theatre of disturbance: Peter Weiss -- Britain. …”
[3d ed.].
Format: Book
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