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  1. 1

    Geschichte des englischen Diskants und des Fauxbourdons nach den theoretischen Quellen. by Bukofzer, Manfred F., 1910-1955

    Strassburg : Heitz, 1936
    Format: Book


  2. 2

    A new way of making fowre parts in counterpoint by Campion, Thomas, 1567-1620

    Aldershot, Hants, England ; Burlington, VT : Ashgate, 2003
    Format: Book


  3. 3

    A briefe introduction to the skill of song by Bathe, William, 1564-1614

    Aldershot, Hants, England ; Burlington, VT : Ashgate, 2005
    Format: Book


  4. 4
  5. 5

    French and English polyphony of the 13th and 14th centuries : style and notation by Sanders, Ernest H.

    Aldershot, Hampshire, Great Britain : Brookfield, Vt., USA : Ashgate, 1998
    Format: Book


  6. 6
  7. 7

    Die Entwicklung der Musiktheorie in England nach der Zeit von Jean-Philippe Rameau by Jacobi, Erwin R. (Erwin Reuben), 1909-1979

    Strasbourg : P.H. Heitz, 1957
    Format: Book


  8. 8

    Music, experiment and mathematics in England, 1653-1705 by Wardhaugh, Benjamin, 1979-

    Farnham, England ; Burlington, Vt. : Ashgate, 2008
    Format: Book


  9. 9

    The music treatises of Thomas Ravenscroft : Treatise of Practicall musicke and A briefe discourse by Duffin, Ross W.

    Farnham, Surrey ; Burlington : Ashgate, 2014
    Format: Book


  10. 10

    Music theory in seventeenth-century England by Herissone, Rebecca

    New York : Oxford University Press, 2000
    Format: Book