Hong Kong cinema since 1997 : the post-nostalgic imagination /

"Taking as its point of departure the three recurrent themes of nostalgia, memory and local histories, this book is an attempt to map out a new poetics -- the post-nostalgic imagination -- in Hong Kong cinema in the first decade of Chinese rule"--Provided by publisher.

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Bibliographic Details
Main Author: Lee, Vivian P. Y., 1966-
Format: Book
Language:English
Published: Basingstoke, Hampshire, UK ; New York : Palgrave Macmillan, 2009.
Subjects:

MARC

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245 1 0 |a Hong Kong cinema since 1997 :  |b the post-nostalgic imagination /  |c Vivian P.Y. Lee. 
260 |a Basingstoke, Hampshire, UK ;  |a New York :  |b Palgrave Macmillan,  |c 2009. 
300 |a vii, 254 pages ;  |c 23 cm 
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504 |a Includes bibliographical references (pages 242-249) and index. 
504 |a Includes filmography: pages 239-241. 
505 0 |a Introduction -- pt. 1. Time and memory. Post-nostalgia: In the mood for love and 2046 -- Cinematic remembrances: Ordinary heroes and Little Cheung -- Allegory, kinship, and redemption: Fu Bo and Isabella -- pt. 2. Schizophrenia, amnesia, and cinephilia -- Lost in the cosmopolitan crime zone: Johnnie To's urban legends -- The Kung Fu hero in the digital age: Stephen Chow's 'glocal' strategies -- Karmic redemption: memory and schizophrenia in Hong Kong action films -- pt. 3. In and out. -- Migrants in a strange city: (Dis- )locating the China imaginary -- Outside the nation: the Pan-Asian trajectory of Applause Pictures -- The Hong Kong multiplex: an unfolding narrative. 
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648 4 |a Geschichte 1997-2007. 
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