M /
This text reconnects M to its significance as an event in 1931 Germany, recapturing the film's social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes M as a modernist artwork.
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
London :
BFI Publ.,
2000.
|
| Series: | BFI film classics
|
| Subjects: |
MARC
| LEADER | 00000cam a2200000 a 4500 | ||
|---|---|---|---|
| 001 | c9d41697-2449-422a-b521-d0e70d40ba11 | ||
| 005 | 20240707000000.0 | ||
| 008 | 000523s2000 enka b 000 0 eng | ||
| 010 | |a 00362674 | ||
| 019 | |a 43502278 |a 1170583236 |a 1172617544 | ||
| 020 | |a 0851703704 | ||
| 020 | |a 9780851703701 | ||
| 035 | |a (OCoLC)46321137 |z (OCoLC)43502278 |z (OCoLC)1170583236 |z (OCoLC)1172617544 | ||
| 035 | |a (OCoLC)ocm46321137 | ||
| 035 | |a (EXLNZ-01MNPALS_NETWORK)9910187376004266 | ||
| 040 | |a DLC |b eng |c DLC |d UKM |d IXA |d ORU |d LVB |d BAKER |d NLGGC |d BTCTA |d YDXCP |d IL4I4 |d BDX |d UKBOL |d OCLCO |d OCLCF |d OCLCQ |d U3W |d OCLCO |d OCL |d NJR |d DHA |d OCLCQ |d IOG |d OCLCO |d OCLCA |d UKMGB |d DCT |d OCLCQ |d LUN |d OCLCO | ||
| 049 | |a MUOO | ||
| 050 | 0 | 0 | |a PN1997.M123 |b K34 2000 |
| 080 | |a 791.43(43)FRI | ||
| 082 | 0 | 0 | |a 791.43/72 |2 21 |
| 084 | |a 24.32 |2 bcl | ||
| 100 | 1 | |a Kaes, Anton. | |
| 245 | 1 | 0 | |a M / |c Anton Kaes. |
| 260 | |a London : |b BFI Publ., |c 2000. | ||
| 300 | |a 87 pages : |b illustrations ; |c 19 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a BFI film classics | |
| 504 | |a Includes bibliographical references (pages 86-87). | ||
| 505 | 0 | |a 1. Berlin, 1931 -- 2. Serial Murder, Serial Culture -- 3. Total Mobilisation -- 4. Before the Law -- 5. Los Angeles, 1951 -- Appendix: The Missing Scene. | |
| 520 | |a This text reconnects M to its significance as an event in 1931 Germany, recapturing the film's social and symbolic energy. Interweaving close reading with cultural history, Anton Kaes reconstitutes M as a modernist artwork. | ||
| 630 | 0 | 0 | |a M (Motion picture) |
| 600 | 1 | 0 | |a Lang, Fritz, |d 1890-1976 |x Criticism and interpretation. |
| 600 | 1 | 4 | |a Lang, Fritz, |d 1890-1976 |x Criticism and interpretation. |
| 630 | 0 | 4 | |a M (Motion picture) |
| 600 | 1 | 6 | |a Lang, Fritz, |d 1890-1976 |x Critique et interprétation. |
| 630 | 0 | 6 | |a M (Film cinématographique) |0 (CaOONL)ncf11830986 |
| 600 | 1 | 7 | |a Lang, Fritz, |d 1890-1976. |2 fast |0 (OCoLC)fst00034110 |
| 630 | 0 | 7 | |a M (Motion picture) |2 fast |0 (OCoLC)fst01363083 |
| 650 | 1 | 7 | |a M (Lang) |2 gtt |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 776 | 0 | 8 | |i Online version: |a Kaes, Anton. |t M. |d London : BFI Publ., 2000 |w (OCoLC)607402925 |9 LOCAL |
| 776 | 0 | 8 | |i Online version: |a Kaes, Anton. |t M. |d London : BFI Publ., 2000 |w (OCoLC)607789132 |9 LOCAL |
| 830 | 0 | |a BFI film classics | |
| 999 | 1 | 0 | |i c9d41697-2449-422a-b521-d0e70d40ba11 |l 990051559220104300 |s US-MNMOHS |m m__________________________________________________________________________2000_______bfipua________________________________________kaes__anton________________________p |
| 999 | 1 | 1 | |l 990051559220104300 |s ISIL:US-MNMOHS |i Minnesota State University Moorhead |t BKS |a LCNZ |c PN1997.M123 K34 2000 |b 30104007288560 |x BOOK |y 2331917180004300 |p LOANABLE |