Pop art : a continuing history /
This comprehensive and critical history of pop art charts its international development, and describes and illustrates the work of over 130 artists, including Andy Warhol, Jasper Johns, Peter Blake, Claes Oldenburg, and Roy Lichtenstein.
Saved in:
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
H.N. Abrams,
1990.
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| Subjects: |
MARC
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| 100 | 1 | |a Livingstone, Marco, |e author. | |
| 245 | 1 | 0 | |a Pop art : |b a continuing history / |c Marco Livingstone. |
| 264 | 1 | |a New York : |b H.N. Abrams, |c 1990. | |
| 300 | |a 271 pages : |b color illustrations ; |c 29 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a volume |b nc |2 rdacarrier | ||
| 520 | |a This comprehensive and critical history of pop art charts its international development, and describes and illustrates the work of over 130 artists, including Andy Warhol, Jasper Johns, Peter Blake, Claes Oldenburg, and Roy Lichtenstein. | ||
| 520 | |a "Pop artists' brilliant blending of the banal and the mythic created the most genuinely popular movement in modern art. This first comprehensive history of Pop in over twenty years charts the international development of this exhilarating style, once challenged as a betrayal of the basic tenets of modernism , and illustrates -- in 300 color plates -- the work of more than 130 artists, much of which is previously unpublished. Pop art has outlived its early detractors, and today, more than thirty years later, its serious, provocative intent is no longer in doubt. Embracing consumer culture in its attention to commercial and brand-name products (Coca-Cola, Campbell's Soup), comic strips (Dick Tracy, Mickey Mouse), and movie stars (Marilyn Monroe), Pop expanded the range of artists' imagery and technique to the broadest possible level. The many varieties of Pop produced by its leading proponents -- such as Warhol, Lichtenstein, Rosenquist, Oldenburg, and Johns -- have in turn given birth to rich subsequent developments in the 1970s and 80s with the arrival of a younger generation of artists who continue to be deeply indebted to Pop's attitudes, form, and subject matter. Pop Art offers a new perspective on the movement with a fully documented critical history that unravels the sequence of events associated with the evolution of Pop in the United States, Great Britain, and Europe, drawn in part from extensive interviews with contemporary artists. It is the most authoritative study available on this intriguing movement." -- Dust jacket | ||
| 504 | |a Includes bibliographical references (pages 249-264) and index. | ||
| 505 | 0 | |a The foundations of Pop -- Coca-Cola plan: Johns, Rauschenberg and American prototypes of Pop in the 1950s -- Just what is it?: the Independent Group and Peter Blake -- Bourgeois trash: Nouveau Réalisme and precursors of Pop in Europe -- Classic Pop -- Look Mickey: American Pop, 1960-62 -- The artist thinks: the Royal College of Art, 1959-63 -- 192 one-dollar bills: American Pop, 1962-4 -- Moderne Kunst: European Pop, 1960s and after -- Pop's maturity -- Random illusion: British Pop from the 1960s to the 1980s -- Extinguished match: American Pop, 1965 and after -- Legacies of Pop -- Eat dirt art history: neo-Pop in the 1980s. | |
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