History of a shiver : the sublime impudence of modernism /
An abrupt break in the more conventional modes of artistic expression, for many, marks the advent of modernism in the early twentieth century. However, as Jed Rasula's alternative history shows, modernist aesthetics owe a significant debt to techniques and styles pioneered and established throu...
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| Format: | Book |
| Language: | English |
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New York :
Oxford University Press,
[2016]
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| Subjects: |
MARC
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| 100 | 1 | |a Rasula, Jed, |e author. | |
| 245 | 1 | 0 | |a History of a shiver : |b the sublime impudence of modernism / |c Jed Rasula. |
| 264 | 1 | |a New York : |b Oxford University Press, |c [2016] | |
| 300 | |a xi, 346 pages : |b illustrations ; |c 25 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 297-330) and index. | ||
| 505 | 0 | |a Preface: The language of the listening eye -- Introduction: Oblique modernism -- Listening to incense : melomania and the pathos of emancipation. Episodes in the history of shiver ; Ut pictura musica -- Sublime impudence : synesthesia and music from romanticism to modernism. Keyboards of the spirit ; The new Laocoon -- Wagnerism : a telephone from the beyond. Time becomes space ; "Wagner is a neurosis" : a case study ; iPod Wagnerism : from vice to device -- Drawing a blank : symbolist retraction. The theater, a pretext for dreams ; Trusting the nameless ; Seeing with eyes closed ; Rites of the dream ; The emotion of multitude ; The legacy of symbolism -- Afternoon of a faun : pictorialism, dance, and the American arcady. Panpipes in the American Arcadia ; Recovering the ugliness -- Fourth dimension, sixth sense : or sublime impudence revisited -- Endless melody : a theoretical excursion. Meaningfulness : the omnianonymous melody ; The volcanic sublime -- Coda: Moments, monuments, and modernism. | |
| 520 | |a An abrupt break in the more conventional modes of artistic expression, for many, marks the advent of modernism in the early twentieth century. However, as Jed Rasula's alternative history shows, modernist aesthetics owe a significant debt to techniques and styles pioneered and established throughout the nineteenth century. An ambitious inter-arts exploration of patterns between one generation and another form the through-line of History of a Shiver: the backdrop of Wagner's epic nineteenth-century operas illuminates the music of Arnold Schoenberg and the Viennese School, in addition to literary works by Marcel Proust, Robert Musil, and Ezra Pound; the collodion glass plates deployed by Victorian photographers reveal the debt of Dada and Man Ray's innovative photograms to an era associated with realism; the brass bands conducted by John Philip Sousa in the 1880s and 1890s form a blueprint for instrumentation that gave rise to jazz; and the French symbolist verse of Stéphane Mallarmé and Paul Verlaine inspire the surrealist artworks of Salvador Dali. In addition to these connections, Rasula's book similarly considers phenomena in theatre, sculpture, and the "visual music" of figures like Thomas Wilfrid and Wassily Kandinsky. Taken together, the chapters of History of a Shiver emphasize the importance of inter-collaboration and influence in an artistic period when artfroms are traditionally isolated from one another and primarily celebrated for severing ties with the past. |c -- From publisher's website. | ||
| 650 | 0 | |a Modernism (Literature) | |
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| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635. | |
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