The eloquent screen : a rhetoric of film /
Cinema is commonly hailed as "the universal language," but how does it communicate so effortlessly across cultural and linguistic borders? The author invokes an array of masters past and present--including Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard--to e...
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| Format: | Book |
| Language: | English |
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Minneapolis :
University of Minnesota Press,
[2019]
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| Subjects: |
MARC
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| 100 | 1 | |a Perez, Gilberto, |d 1943- |e author. | |
| 245 | 1 | 4 | |a The eloquent screen : |b a rhetoric of film / |c Gilberto Perez ; foreword by James Harvey. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2019] | |
| 264 | 4 | |c ©2019 | |
| 300 | |a xxi, 405 pages ; |c 22 cm | ||
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| 520 | |a Cinema is commonly hailed as "the universal language," but how does it communicate so effortlessly across cultural and linguistic borders? The author invokes an array of masters past and present--including Ford, Kiarostami, Eisenstein, Malick, Mizoguchi, Haneke, Hitchcock, and Godard--to explore the transaction between filmmaker and audience. This book shows how cinema, as the consummate contemporary art form, establishes a thoroughly modern rhetoric in which different points of view are brought into clear focus.-- |c Publisher's description. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Introduction. John Ford's rhetoric -- 1. Cinematic tropes -- 2. Melodrama and film technique. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 650 | 0 | |a Subjectivity in motion pictures. | |
| 650 | 0 | |a Metaphor in motion pictures. | |
| 650 | 0 | |a Motion picture plays |x History and criticism. | |
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