Novels and the sociology of the contemporary /
"This book substantiates two claims. First, the modern world was not simply produced by "objective" factors, rooted in geographical discoveries and scientific inventions, to be traced to economic, technological or political factors, but is the outcome of social, cultural and spiritual...
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Routledge,
2016.
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| Series: | Routledge studies in social and political thought
110. |
| Subjects: |
Table of Contents:
- Preface
- Introduction: novels and the problem of reality
- The triple origins of the modern novel
- The Don Quixote chronotope: paradoxical paradoxes, or the games of Cervantes
- The Rabelais chronotope: the mysteries of fairground economics
- The English chronotope: the cruel illusionism of realism
- Actors, spectators and critics in the sublime theatre of the public arena
- Sublime confusion: the aesthetics of intensity as an anti-Platonic revolt
- Diderot, the trickster-outsider-critic: the actor as god in an enlightened world
- Lessing, the trickster-outsider-critic: the birth of German enlightenment out of the spirit of theatre
- The Goethe chronotope: in between panopticon and circus
- Johann Wolfgang Goethe: demonic formation and theatrical re-formation
- Wilhelm Meister as Goethe's self-overcoming: from theatrical mission to walking
- Promethean modernity in Faust: from asserting titanic poiesis to diagnosing alchemic technology
- Beneath and beyond romantic enlightenment
- Enlightened romantics: from German titanism to French satanism
- Charles Dickens: retrieving the reasons of the heart
- Fyodor Mikhailovich Dostoevsky: standing up again after the demonic splits of reason
- Conclusion: towards the sacrificial carnival.