The piano quartet and quintet : style, structure, and scoring /
This book is concerned primarily with the development of the piano quartet and quintet from the mid-eighteenth century to the present day, but refers also to several important works for larger ensembles. Developments during the first four decades of the nineteenth century resulted not only in Schube...
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| Format: | Book |
| Language: | English |
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Oxford : New York :
Clarendon Press ; Oxford University Press,
1994.
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| Subjects: |
MARC
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| 100 | 1 | |a Smallman, Basil. | |
| 245 | 1 | 4 | |a The piano quartet and quintet : |b style, structure, and scoring / |c Basil Smallman. |
| 260 | |a Oxford : |b Clarendon Press ; |a New York : |b Oxford University Press, |c 1994. | ||
| 300 | |a ix, 196 pages : |b music ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographical references (pages 183-188) and indexes. | ||
| 505 | 0 | |a The origins to 1800 -- The early Romantics -- Cross-currents -- The ascendancy of Brahms -- Transition and change -- The relationship of style to scoring -- Mixed ensembles. | |
| 520 | |a This book is concerned primarily with the development of the piano quartet and quintet from the mid-eighteenth century to the present day, but refers also to several important works for larger ensembles. Developments during the first four decades of the nineteenth century resulted not only in Schubert's renowned 'Trout' Quintet, but also in virtuoso compositions by Dussek, Hummel, Weber, and others, in which the piano predominates in a concerto-like role. Subsequently, Schumann's epoch-making quintet of 1842 initiated a broadly 'symphonic' style, which was adopted by many later composers, including Brahms, Dvorak, Cesar Frank, Faure, and Elgar. Amongst recent changes to the nature of the genres special consideration is given to works by Schoenberg, Messiaen, Stravinsky, and others, in which 'mixed' media are formed by combining wind instruments with the normal strings-and-piano ensembles. | ||
| 520 | 8 | |a Within his broad historical narrative Professor Smallman provides descriptive analyses of key works, many with music examples, and also comments perceptively on local trends and developments. | |
| 650 | 0 | |a Piano quartets |x History and criticism. | |
| 650 | 0 | |a Piano quintets |x History and criticism. | |
| 650 | 0 | |a Piano quartets |x Analysis, appreciation. | |
| 650 | 0 | |a Piano quintets |x Analysis, appreciation. | |
| 650 | 0 | |a Piano with instrumental ensemble |y 20th century |x Analysis, appreciation. | |
| 650 | 6 | |a Quatuors pour piano |x Histoire et critique. | |
| 650 | 6 | |a Quintettes pour piano |x Histoire et critique. | |
| 650 | 6 | |a Quatuors pour piano |x Analyse et appréciation. | |
| 650 | 6 | |a Quintettes pour piano |x Analyse et appréciation. | |
| 650 | 6 | |a Piano et ensemble instrumental |y 20e siècle |x Analyse et appréciation. | |
| 650 | 7 | |a Piano quartets. |2 fast |0 (OCoLC)fst01063459 | |
| 650 | 7 | |a Piano quintets. |2 fast |0 (OCoLC)fst01063466 | |
| 650 | 7 | |a Geschichte |2 gnd | |
| 650 | 7 | |a Klavierquartett |2 gnd | |
| 650 | 7 | |a Klavierquintett |2 gnd | |
| 650 | 1 | 7 | |a Kamermuziek. |2 gtt |
| 650 | 1 | 7 | |a Pianomuziek. |2 gtt |
| 650 | 7 | |a Ensembles de musique de chambre |x Histoire et critique. |2 ram | |
| 650 | 7 | |a Musique de chambre |y 20e siècle. |2 ram | |
| 648 | 7 | |a Geschichte Anfänge-1991 |2 swd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
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