German expressionist painting.
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| Format: | Book |
| Language: | English |
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Berkeley,
University of California Press,
1957.
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Table of Contents:
- Development in German esthetics relevant to the expressionist movement
- Art criticism and esthetic thought
- New responses to past styles
- Panorama of German art around 1900
- The sentiment of the classic
- Realism and impressionism
- Regionalism, Worpswede, and Paula Modersohn-Becker
- Jugendstil: a major source of expressionist painting
- Die Brücke
- The formation of the Brücke
- The expansion of the Brücke
- Development of the Brücke from 1907 to 1910
- Emil Nolde, 1907-1912
- The Brücke painters in Berlin
- Expressionist trends in Vienna
- The Vienna secession, Klimt, and Schiele
- Oskar Kokoschka, 1905-1920
- The development of expressionism in Munich
- Munich at the turn of the century: Kandinsky's beginnings
- The new artists' association
- Der Blaue Reiter I
- Der Blaue Reiter II
- Esthetic theories of Wassily Kandinsky
- The prewar years
- Controversies about the modern movement and its affirmation in the Sonderbund
- Der Sturm
- First German autumn salon
- The expressionist movement expands
- Journeys to exotic countries
- 1914 and after
- Conclusion.