Composers on music : an anthology of composers' writings from Palestrina to Copland

Composers on music : an anthology of composers' writings from Palestrina to Copland /

Show other versions (3)
Saved in:
Bibliographic Details
Other Authors: Morgenstern, Sam (Compiler)
Format: Book
Language:English
Published: New York, Greenwood Press [1969, ©1956]
Subjects:
Musicians as authors.
Music > History and criticism.
Music
Criticism, interpretation, etc.

MARC

LEADER 00000cam a2200000 4500
001 8d6a3684-5f90-43c8-9d23-b5c98015be62
005 20240707000000.0
008 691126t19691956nyug b 001 0 eng
010 |a  69014005  
020 |a 0837111471 
020 |a 9780837111476 
035 |a (OCoLC)44425 
035 |a (OCoLC)ocm00044425  
035 |a (EXLNZ-01MNPALS_NETWORK)9910074408604266 
040 |a DLC  |b eng  |c DLC  |d BOS  |d LGG  |d SGE  |d OCLCO  |d OCLCF  |d OCLCQ  |d OCL  |d YBM  |d ERE  |d OCLCO 
049 |a MUOO 
050 0 |a ML90  |b .M6 1969 
082 0 |a 780/.8 
245 0 0 |a Composers on music :  |b an anthology of composers' writings from Palestrina to Copland /  |c edited by Sam Morgenstern. 
260 |a New York,  |b Greenwood Press  |c [1969, ©1956] 
300 |a xxiii, 584 pages  |b music  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references (pages 557-569) and index. 
505 8 0 |t Giovanni Pierluigi da Palestrina --  |t William Byrd --  |t Giulio Caccini --  |t Thomas Morley --  |t Claudio Monteverdi --  |t Girolamo Frescobaldi --  |t Heinrich Schütz --  |t Henry Purcell --  |t François Couperin --  |t Georg Philipp Telemann --  |t Jean Philippe Rameau --  |t Benedetto Marcello --  |t Jean Jacques Rousseau --  |t Carl Philipp Emanuel Bach --  |t Christoph Willibald Gluck --  |t Joseph Haydn --  |t André Ernest Grétry --  |t Wolfgang Amadeus Mozart --  |t Ludwig van Beethoven --  |t Louis Spohr --  |t Carl Maria von Weber --  |t Gioacchino Antonio Rossini --  |t Franz Schubert --  |t Gaetano Donizetti --  |t Hector Berlioz --  |t Michael Ivanovitch Glinka --  |t Felix Mendelssohn --  |t Frédéric François Chopin --  |t Robert Schumann --  |t Franz Liszt --  |t Alexander Sergeivitch Dargomijsky --  |t Richard Wagner --  |t Giuseppe Verdi --  |t Charles François Gounod --  |t Edouard Lalo --  |t Bedřich (Friedrich) Smetana --  |t Johannes Brahms --  |t Alexander Borodin --  |t César Cui --  |t Camille Saint-Saëns --  |t Mili Alexeivitch Balakirev --  |t Georges Bizet --  |t Modeste Petrovitch Moussorgsky --  |t Peter Ilyitch Tchaikovsky --  |t Antonin Dvořák --  |t Edvard Hagerup Grieg --  |t Nikolai Andreyevitch Rimski-Korsakov --  |t Gabriel Fauré --  |t Vincent D'Indy --  |t Giacomo Puccini --  |t Hugo Wolf --  |t Gustav Mahler --  |t Edward Alexander Macdowell --  |t Frederick Delius --  |t Claude Debussy --  |t Richard Strauss --  |t Paul Dukas --  |t Ferruccio Busoni --  |t Erik Satie --  |t Albert Roussel --  |t Ralph Vaughan Williams --  |t Max Reger --  |t Sergei Vassilievitch Rachmaninoff --  |t Arnold Schoenberg --  |t Gustav Holst --  |t Charles Edward Ives --  |t Maurice Ravel --  |t Manuel de Falla --  |t Ernest Bloch --  |t Béla Bartók --  |t Gian Francesco Malipiero --  |t Zoltán Kodály --  |t Igor Stravinsky --  |t Anton von Webern --  |t Alban Berg --  |t Sergei Prokofiev --  |t Arthur Honegger --  |t Darius Milhaud --  |t Paul Hindenmith --  |t Virgil Thomson --  |t Roger Sessions --  |t George Gershwin --  |t Francis Poulenc --  |t Georges Auric --  |t Carlos Chavez --  |t George Antheil --  |t Ernst Krenek --  |t Aaron Copland. 
505 0 0 |t Secular and sacred texts ;  |t Music and business /  |r Giovanni Pierluigi da Palestrina --  |t Singing ;  |t Performing and listening /  |r William Byrd --  |t The beginnings of the monodic style /  |r Giulio Caccini --  |t The fantasie-fugal composition ;  |t Sight singing ;  |t Tessitura and transposition ;  |t Words and music ;  |t Motet and madrigal /  |r Thomas Morely --  |t A defense of modern music requirements of an opera libretto ;  |t The imitation of nature ;  |t The invention of the agitato style /  |r Claudio Monteverdi --  |t Harpsichord playing ;  |t Organ playing /  |r Girolamo Frescobaldi --  |t Tempo in the new style ;  |t Composing new music for the church ;  |t The modern Italian style in Germany ;  |t Counterpoint versus thoroughbass /  |r Heinrich Schütz --  |t The modern Italian style in England ;  |t English music in its Nonage ;  |t Composing upon a ground /  |r Henry Purcell --  |t The beginner at the harpsichord ;  |t Learning the notes ;  |t A musician's hands ;  |t Measure and rhythm /  |r François Couperin --  |t Music and words ;  |t Polish music ;  |t Duties of a musician ;  |t Progress in music /  |r Georg Philipp Telemann --  |t On composition ;  |t Taste ;  |t Harmony ;  |t Instinct ;  |t Rhythm /  |r Jean Philippe Rameau --  |t Instructions for librettists ;  |t Instructions for composers /  |r Bendetto Marcello --  |t Melody and harmony ;  |t Sounds and colors ;  |t The function of music /  |r Jean Jacques Rousseau --  |t Embellishments ;  |t Performance ;  |t Accompaniment ;  |t Commissioned music ;  |t Criticism ;  |t Comparison between J.S. Bach and Handel /  |r Carl Philipp Emanuel Bach --  |t On opera reform ;  |t Truth in music ;  |t Music and libretto /  |r Christoph Willibald Gluck --  |t On musical rules ;  |t On composition ;  |t Carl Philipp Emanuel Bach ;  |t Mozart ;  |t Beethoven ;  |t How the seven words of Christ on the cross was written /  |r Joseph Haydn --  |t Music for the theater ;  |t Analogy between color and sound ;  |t Application ;  |t Rules ;  |t Music and declamation /  |r André Ernest Grétry --  |t Pianos and piano playing ;  |t Rubato playing ;  |t Sight reading ;  |t The duodrama ;  |t Opera ;  |t The abduction from the Seraglio ;  |t The piano concerti K 413, 414, 415 ;  |t Clementi's piano sonatas ;  |t Publishing music ;  |t The string quartets K 387, 421, 428, 458, 464, 465 /  |r Wolfgang Amadeus Mozart --  |t Music and business ;  |t Composition ;  |t The organ ;  |t Transcriptions ;  |t Pianoforte music ;  |t J.S. Bach ;  |t C.P.E. Bach ;  |t On critics ;  |t Piano teaching ;  |t Tempo markings and he metronome /  |r Ludwig van Beethoven --  |t The Russian imperial horn band in St. Petersburg ;  |t Beethoven in 1813 ;  |t London 1820 ;  |t The first use of the baton /  |r Louis Spohr --  |t Appreciation ;  |t Criticism ;  |t Speech and song ;  |t Rhythm in singing ;  |t Beethoven ;  |t Rossini ;  |t Poet and composer /  |r Carl Maria von Weber --  |t The present state of music ;  |t Requirements of an opera singer ;  |t Rameau ;tThe best time to compose an overture ;  |t Mixed voices in the church /  |r Gioacchino Antonio Rossini --  |t Salieri's fiftieth Vienna anniversary ;  |t The lady of the lake /  |r Franz Schubert --  |t Bellini's Norma ;  |t An error of Berlioz' ;  |t Verdi /  |r Gaetano Donizetti --  |t The composer and the piano ;  |t Instrumentation and conductors ;  |t Choral singing ;  |t Palestrina ;  |t Bach's St. Matthew Passion ;  |t Gluck ;  |t Mozart Operas ;  |t Contrast between Freischutz and Oberon ;  |t The young Wagner ;  |t Johann Strauss the elder ;  |t Self-evaluation /  |r Hector Berlioz --  |t John Field's playing ;  |t Liszt's playing ;  |t Russian song ;  |t Music in Paris Berlioz /  |r Michael Ivanovitch Glinka --  |t Swiss yodeling ;  |t Scholarly versus people's music ;  |t Holy week in Rome ;  |t The meaning of music ;  |t A plea for new music ;  |t Rossini ;  |t Berlioz ;  |t The Nibelungen poem as a possible opera subject /  |r Felix Mendelssohn --  |t Musical life in Vienna 1830 ;  |t Music in Paris 1831 ;  |t Music in England 1848 /  |r Frédéric François Chopin --  |t House rules and maxims for young musicians 1848 ;  |t Reading scores in concertos ;  |t Characterization of the keys ;  |t Observations ;  |t Child prodigies ;  |t J.S. Bach ;  |t Domenico Scarlatti ;  |t Beethoven the four overtures to Fidelio ;  |t Weber's Euryanthe ;  |t Schubert's last compositions ;  |t Chopin ;  |t Liszt ;  |t Liszt's recital at Leipzig March 17 1840 ;  |t Berlioz ;  |t Tannhauser ;  |t Brahms /  |r Robert Schumann --  |t Holiday synagogue service in Vienna ;  |t The gypsy orchestra ;  |t Conducting modern music ;  |t The standing of the modern musician ;  |t Beethoven's music to Egmont ;  |t Styles of Beethoven ;  |t Mendelssohn's music to a midsummer night's dream ;|Chopin ;  |t Berlioz' Romeo and Juliet /  |r Franz Liszt --  |t Artistic effect and artistic impression ;  |t Official concert life ;  |t The resources of folk music ;  |t Confessions /  |r Alexander Sergeivitch Dargomijsky --  |t Opera and drama ;  |t Opera and the nature of music /  |r Richard Wagner --  |t Opera ;  |t On conductors ;  |t Musical education ;  |t Liberalism in music ;  |t Palestrina ;  |t Rossini and Bellini ;  |t Berlioz ;  |t Wagner ;  |t Gounod ;  |t Puccini ;  |t On himself /  |r Giuseppe Verdi --  |t Palestrina and Michelangelo ;  |t Don Giovanni ;  |t Berlioz /  |r Charles Francois Gounod --  |t Titles of compositions ;  |t Brahms ;  |t Brahms's piano concerto in d minor /  |r Edouard Lalo --  |t Absolute music ;  |t Opera ;  |t Music in Sweden /  |r Bedrich Friedrich Smetana --  |t Inspiration ;  |t Variations ;  |t Bach's Chaconne ;  |t Schumann ;  |t The Meistersinger ;  |t The young Beethoven ;  |t Collected editions /  |r Johannes Brahms --  |t Liszt's piano classes ;  |t Balakirev ;  |t Liszt on Borodin's first symphony ;  |t The paraphrases /  |r Alexander Borodin --  |t Russian folk music ;  |t The credo of the "big five" /  |r Cesar Cui --  |t Paris conservatory ;  |t Simplicity ;  |t Embellishments ;  |t Opera subjects ;  |t Bach and Mozart ;  |t Color in Beethoven and Handel ;  |t The Wagner literature ;  |t Overcoloration in music /  |r Camille Saint-Saens --  |t Tchaikovsky's fatum ;  |t Tchaikovsky's overture Romeo and Juliet /  |r Mili Alexeivitch Balakirev --  |t Genius ;  |t Facility in art ;  |t Verdi ;  |t The melodic gift ;  |t Italian music ;  |t Some classical composers ;  |t Wagner's Rienzi ;  |t Wagner ;  |t Success in art /  |r Georges Bizet -- 
505 0 0 |t Text and music in the marriage ;  |t The Germans as vocal composers ;  |t Technique ;  |t Musical giants ;  |t Opera ;  |t Self-evaluation /  |r Modeste Petrovitch Moussorgsky --  |t The "big five" ;  |t Richard Wagner and the ring ;  |t Brahms and his concerto for violin ;  |t Bizet's Carmen ;  |t Composition ;  |t Instrumentation /  |r Peter Ilyitch Tchaikovsky --  |t Music in America /  |r Antonin Dvorak --  |t Mozart and Wagner ;  |t Schumann and Mendelssohn ;  |t Schumann's songs /  |r Edvard Hagerup Grieg --  |t Orchestration ;  |t Formal study /  |r Nicolai Andreyevich Rimsky-Korsakov --  |t Gluck ;  |t Mozart ;  |t Saint-Saens as teacher ;  |t Carmen ;  |t What is religious music/Franck and Gounod ;  |t Puccini ;  |t Salome /  |r Gabriel Faure --  |t Methods of work ;  |t Orchestration ;  |t The string quartet ;  |t Cesar Franck /  |r Vincent D'Indy --  |t Debussy's Pelleas et Melisande ;  |t Strauss's Salome ;  |t Stravinsky's Sacre du Printemps ;  |t La Boheme ;  |t Tosca ;  |t Madame Butterfly ;  |t The girl of the golden west ;  |t Il Trittico il Tabarro, Gianni Schicchi, Suor Angelica ;  |t Turandot /  |r Giacomo Puccini --  |t Modern chamber and symphonic music ;  |t Italian opera singers ;  |t Visiting and resident conductors ;  |t Brahms's third symphony ;  |t Bruckner ;  |t Haydn's creation ;  |t Berlioz' damnation of Faust /  |r Hugo Wolf --  |t Program notes ;  |t Program music ;  |t The word and music ;  |t Advice to a composer ;  |t Composing for theater and concert hall ;  |t Tempo in conducting ;  |t Brahms and Bruckner ;  |t Richard Strauss ;  |t Salome ;  |t The second symphony ;  |t The third symphony /  |r Gustav Mahler --  |t Embellishments ;  |t Rhythm and melody ;  |t Folk song and harmony ;  |t Criticism ;  |t Suggestion in music /  |r Edward Alexander Macdowell --  |t The state of music today ;  |t The future of opera /  |r Frederick Delius --  |t Bach ;  |t Mozart ;  |t Beethoven and the symphony ;  |t Pedaling in Chopin ;  |t Wagner and Parsifal ;  |t Stravinsky's firebird ;  |t Pelleas et Melisande ;  |t Les Rondes de Printemps, images ;  |t American prodigies ;  |t Instinct /  |r Claude Debussy --  |t Ten golden rules inscribed in the album of a young conductor ;  |t Composing and conducting ;  |t The equipment of a conductor ;  |t Timely notes on music education ;  |t Melodic inspiration ;  |t Letters to Hugo von Hofmannsthal /  |r Richard Strauss --  |t Intelligence and musicality among the animals ;  |t The orchestra in opera ;  |t Youth and experience ;  |t Jazz ;  |t Satie and Debussy /  |r Erik Satie --  |t Inspiration and composition /  |r Albert Roussel --  |t Should music be national ;  |t Historic aspects of nationalism in music ;  |t Genius /  |r Ralph Vaughan Williams --  |t Tempo, color and dynamics ;  |t Organ music ;  |t Free creation ;  |t Brahms /  |r Max Reger --  |t Sound and color ;  |t The spring cantata ;  |t Value of the composer, dead and alive ;  |t The keen ear /  |r Sergei Vassilievitch Rachmaninoff --  |t The composition with twelve tones ;  |t Gershwin /  |r Arnold Schoenberg --  |t Substance and manner ;  |t Sonata form ;  |t Musical truth ;  |t Ragtime ;  |t Definite meaning in music ;  |t Beethoven and Strauss ;  |t Brahms's orchestration /  |r Charles Edward Ives --  |t Chopin ;  |t Nationalism ;  |t Self criticism ;  |t Liszt ;  |t The critics of Debussy ;  |t Weber ;  |t The Bolero /  |r Maurice Ravel --  |t Cante Jondo /  |r Manuel de Falla --  |t The state of modern music ;  |t On his Hebrew music ;  |t The story of Schelomo ;  |t Macbeth /  |r Ernest Block --  |t Liszt as composer ;  |t Race purity in music ;  |t The influence of peasant music on modern music ;  |t The significance of folk music /  |r Bela Bartok --  |t The orchestra ;  |t Sonority ;  |t Richard Strauss ;  |t A plea for true comedy /  |r Gian Francesco Malipiero --  |t New music for old ;  |t Bartok the folklorist /  |r Zoltan Kodaly--  |t Composing at the piano ;  |t Music and expression ;  |t Listening and looking at music ;  |t Mechanical music ;  |t Beethoven ;  |t Dissonance and atonality ;  |t Cacophony ;  |t Style ;  |t Tradition ;  |t Modernism and academicism /  |r Igor Stravinsky --  |t Schoenberg as teacher ;  |t Knowledge ;  |t Variations for orchestra op 30 /  |r Anton von Webern --  |t Why is Schoenberg's music so hard to understand ;  |t A word about Wozzeck ;  |t Handel and Bach /  |r Alan Berg --  |t Encounters with Rachmaninoff and Medtner ;  |t Scythian Suite performance ;  |t Orchestrating the gamblers ;  |t Composing away from the piano /  |r Sergei Prokofiev --  |t Originality ;  |t Hit or miss ;  |t Mind and matter ;  |t Our musical age twelve tone music ;  |t The future of music /  |r Arthur Honegger --  |t Polytonality ;  |t Brazilian folklore ;  |t The "six" ;  |t Musique d'Ameublement ;  |t Jazz ;  |t Decadence of jazz /  |r Darius Milhaud --  |t The limits of novelty ;  |t Emotion in music ;  |t "Good" and "bad" music ;  |t Modern music twelve tone technique ;  |t Piano tone /  |r Paul Hindemith --  |t Bach ;  |t Chopin and rubato ;  |t Interpreting Brahms ;  |t Mahler and Strauss ;  |t MacDowell's music ;  |t Tempo ;  |t Masterpieces ;  |t Americanisms /  |r Virgil Thomson --  |t The American future ;  |t Listening to music ;  |t The composer's indications ;  |t The performer's function ;  |t Mechanical reproduction ;  |t Continuity in musical thought and form ;  |t Understanding contemporary music /  |r Roger Sessions --  |t American and European reciprocal influences ;  |t Ideas and feeling ;  |t Jazz ;  |t Emotion ;  |t Mechanical music /  |r George Gershwin --  |t Tradition ;  |t Young American composers ;  |t Menotti's Consul ;  |t The character of French music /  |r Francis Poulenc --  |t Discovery of Satie /  |r Georges Auric --  |t Music and electricity ;  |t The training of the new composer ;  |t Films and music ;  |t The function of the composer /  |r Carlos Chavez --  |t Wanted ;  |t Opera by and for Americans ;  |t Classicism, romanticism ;  |t Nationalism /  |r George Antheil --  |t Stravinsky and surrealism ;  |t Schoenberg and atonality ;  |t Some outstanding American composers /  |r Ernst Krenek --  |t A modernist defends modern music ;  |t The gifted listener ;  |t The sonorous image ;  |t Orchestration ;  |t Conductor and composer ;  |t Improvisation ;  |t A national music ;  |t Observations /  |r Aaron Copland. 
650 0 |a Musicians as authors. 
650 0 |a Music  |x History and criticism. 
650 7 |a Music  |2 fast  |0 (OCoLC)fst01030269 
650 7 |a Musicians as authors.  |2 fast  |0 (OCoLC)fst01030878 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Morgenstern, Sam,  |e compiler. 
999 1 0 |i 8d6a3684-5f90-43c8-9d23-b5c98015be62  |l 990054613020104271  |s US-MNMANBC  |m composers_on_musicanthology_of_composers_writings_from_palestrina_to_c_____1956_______greena___________________________________________________________________________p 
999 1 0 |i 8d6a3684-5f90-43c8-9d23-b5c98015be62  |l 990048277290104300  |s US-MNMOHS  |m composers_on_musicanthology_of_composers_writings_from_palestrina_to_c_____1956_______greena___________________________________________________________________________p 
999 1 0 |i 8d6a3684-5f90-43c8-9d23-b5c98015be62  |l 991000578539703687  |s US-MNSCC  |m composers_on_musicanthology_of_composers_writings_from_palestrina_to_c_____1956_______greena___________________________________________________________________________p 
999 1 1 |l 990054613020104271  |s ISIL:US-MNMANBC  |i Bethany Lutheran College  |t BKS  |a GEN  |c ML90 .M6 1969  |b 30219000230177  |x BOOK  |y 2312823530004271  |p LOANABLE 
999 1 1 |l 990048277290104300  |s ISIL:US-MNMOHS  |i Minnesota State University Moorhead  |t BKS  |a LCAM  |c ML90 .M6 1969  |b 30104001244650  |x BOOK  |y 2324945680004300  |p LOANABLE 
999 1 1 |l 991000578539703687  |s ISIL:US-MNSCC  |i Concordia University, St. Paul  |t BKS  |a books  |c 780/.8  |b 30519007685806  |x BOOK  |y 2340196190003687  |p LOANABLE 

Similar Items