James Joyce and the phenomenology of film /
James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, C...
Saved in:
| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Oxford :
Oxford University Press ,
2017.
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| Edition: | First edition. |
| Series: | Oxford English monographs
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| Subjects: |
MARC
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| 100 | 1 | |a Hanaway, Cleo, |d 1984- |e author. | |
| 245 | 1 | 0 | |a James Joyce and the phenomenology of film / |c Cleo Hanaway-Oakley. |
| 250 | |a First edition. | ||
| 264 | 1 | |a Oxford : |b Oxford University Press , |c 2017. | |
| 264 | 4 | |c ©2017 | |
| 300 | |a vi, 146 pages : |b illustrations ; |c 23 cm. | ||
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| 490 | 1 | |a Oxford English Monographs | |
| 504 | |a Includes bibliographical references (pages 123-140) and index. | ||
| 520 | 8 | |a James Joyce and the Phenomenology of Film reappraises the lines of influence said to exist between Joyce's writing and early cinema and provides an alternative to previous psychoanalytic readings of Joyce and film. Through a compelling combination of historical research and critical analysis, Cleo Hanaway-Oakley demonstrates that Joyce, early film-makers, and phenomenologists (Maurice Merleau-Ponty, in particular) share a common enterprise: all are concerned with showing, rather than explaining, the 'inherence of the self in the world'. Instead of portraying an objective, neutral world, bereft of human input, Joyce, the film-makers, and the phenomenologists present embodied, conscious engagement with the environment and others: they are interested in the world-as-it-is-lived and transcend the seemingly-rigid binaries of seer/seen, subject/object, absorptive/theatrical, and personal/impersonal. This book re-evaluates the history of body- and spectator-focused film theories, placing Merleau-Ponty at the centre of the discussion, and considers the ways in which Joyce may have encountered such theories. | |
| 600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Criticism and interpretation. |
| 600 | 1 | 0 | |a Joyce, James, |d 1882-1941 |x Influence. |
| 650 | 0 | |a Motion pictures |x History | |
| 650 | 0 | |a Motion pictures and literature |x History. | |
| 830 | 0 | |a Oxford English monographs | |
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