Contemporary Chinese art : a critical history /
Since the confirmation of Deng Xiaoping's policy of Opening and Reform in 1978, the People's Republic of China has undergone a liberalization of culture that has led to the production of numerous forms of avant-garde, experimental, and museum-based art. With a fast-growing international ma...
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| Main Author: | |
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| Format: | Government Document Book |
| Language: | English |
| Published: |
London, UK :
Reaktion Books,
2014.
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| Subjects: |
MARC
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| 100 | 1 | |a Gladston, Paul, |e author. | |
| 245 | 1 | 0 | |a Contemporary Chinese art : |b a critical history / |c Paul Gladston. |
| 264 | 1 | |a London, UK : |b Reaktion Books, |c 2014. | |
| 264 | 4 | |c ©2014 | |
| 300 | |a 318 pages : |b illustrations (chiefly color) ; |c 25 cm | ||
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| 504 | |a Includes bibliographical references (pages 300-303) and index. | ||
| 505 | 0 | 0 | |g 1. |t Chinese art in context : |t Cultural interaction and exchange from antiquity to the mid-twentieth century ; |t Realist and modernist art in China, 1911-1948 ; |t Socialist-realist and revolutionary art in the People's Republic of China, 1949-1977 -- |g 2. |t Modern (contemporary) Chinese art, 1976-1989 : |t The early development of modern (contemporary) Chinese art ; |t Avant-garde art in the People's Republic of China ; |t The dissolution of the '85 movement -- |g 3. |t Contemporary Chinese art, 1990-2001 : |t Contemporary Chinese art after Tiananmen ; |t The internationalization of contemporary Chinese art ; |t Experimental art and social transformation in the People's Republic of China -- |g 4. |t Contemporary Chinese art, 2002-2013 : |t Contemporary Chinese art on the global stage ; |t Contemporary Chinese art and contemporaneity ; |t The political recuperation of contemporary Chinese art. |
| 520 | |a Since the confirmation of Deng Xiaoping's policy of Opening and Reform in 1978, the People's Republic of China has undergone a liberalization of culture that has led to the production of numerous forms of avant-garde, experimental, and museum-based art. With a fast-growing international market and a thriving artistic community, contemporary Chinese art is riding a wave of prosperity, though issues of censorship still abound. Shedding light on the current art scene, Paul Gladston's Contemporary Chinese Art puts China's recent artistic output into the context of the wider cultural, economic, and political conditions that surround it. | ||
| 520 | |a "The market for contemporary Chinese art is one of the fastest growing internationally, attracting buyers from all over the world, including, increasingly, within China itself. There are thriving artistic communities throughout China as well as an unprecedented proliferation of major art museums and districts, including Beijing’s now world famous 798 Art Zone. At the same time, the arrest and detention of artist Ai Weiwei in 2011 has focused international attention on China's politics and issues of state control. This book sheds light on the development of Chinese art since the confirmation of Deng Xiaoping's so-called policy of 'Opening and Reform' in 1978, putting the art into context both within China and internationally. Paul Gladston provides a critical mapping of ideas and practices that have shaped contemporary Chinese art, showing how they bind the art -- as a consequence of artistic complicity and/or resistance -- to structures of power and state not just within but also outside China. While the principal focus is on art produced by artists from mainland China, the book also discusses contemporary art made by artists from Taiwan and Hong Kong-Macau, as well others belonging to diasporic Chinese communities." -- Publisher's description | ||
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