West German filmmakers on film : visions and voices /
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| Other Authors: | |
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| Format: | Book |
| Language: | English |
| Published: |
New York :
Holmes & Meier,
©1988.
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| Series: | Modern German voices series
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| Subjects: |
Table of Contents:
- Introduction: The writing out of West German film history
- Manifestos and declarations. The Oberhausen Manifesto (1962) ; The Mannheim Declaration (1967) ; The Hamburg Declaration (1979) ; The Manifesto of Women Film Workers (1979) ; The Munich Declaration (1983)
- The price of survival: institutional challenges. What do the 'Oberhauseners' want? / Alexander Kluge (1962)
- We have work to do / Hans Rolf Strobel and Heinrich Tichawsky (1965)
- Application for film subsidy / Vlado Kristl (1970)
- Letter to the Export-Union / Jean-Marie Straub (1975)
- We live in a dead country / Hans Jürgen Syberberg (1977)
- Dependent working conditions: about directing and producing / Hans W. Geissendörfer (1979)
- Something about nature and censorship / Herbert Achternbusch (1979)
- Men are responsible that women become their enemies: tales of rejection / Helke Sander (1980)
- Theses about the new media / Alexander Kluge (1983)
- Zimmermann's execution directives / Volker Schlöndorff (1983)
- The Filmverlag against the authors / Wim Wenders (1985)
- Popular approaches: generic models and utopian designs. ' ... preferably naked girls' / Eckhart Schmidt (1968)
- Emotion pictures (slowly rockin' on) / Wim Wenders (1970)
- The aesthetics of the 'worker film' / Christian Ziewer (1972)
- Relationships, reality, and realism / Robert Van Ackeren
- Taking leave of the security of esoteric / Hark Bohm (1977)
- Cinema, melodrama, and the world of emotion / Niklaus Schilling (1977)
- Come back, Peter Kraus! / Walter Bockmayer (1978)
- That's utopia: the cinema of my dreams / Rudolf Thome (1979)
- Utopian cinema / Alexander Kluge (1979)
- Michael Curtiz---anarchist in Hollywood?: unordered thoughts about a seemingly paradoxical idea / Rainer Werner Fassbinder
- Culture as hard currency or: Hollywood in Germany / Sohrab Shahid Saless (1983)
- Dofferemt ways of seeing. Freeing oneself from old hat / Ottomar Domnick (1965)
- Kelek / Wim Wenders (1969)
- The method of direct observation: two examples / Klaus Wildenhahn
- What really happens between the frames / Werner Nekes (1975)
- Gay film culture / Rosa von Praunheim (1976)
- Unordered notes on conventional narrative film / Klaus Wyborny (1976)
- Feminism and film / Helke Sander (1977)
- The spectator as entrepreneur / Alexander Kluge (1979)
- Some notes about our film work / Birgit Hein (1980)
- Women's films are searches for traces / Jutta Brückner (1981)
- Female film aesthetics / Margarethe von Trotta (1982)
- The pressure to make genre films: about the endangered Autorenkino / Ulrike Ottinger (1983)
- New European film and urban modernity / Alfred Behrens (1986)
- Discovering and preserving German film history. The other tradition / Alf Brustellin (1971)
- Death is no solution: the German film director Fritz Lang / Wim Wenders (1976)
- Rereading Kracauer's From Caligari to Hitler / Volker Schlöndorff (1980)
- The early days of the Ulm Institute for Film Design / Alexander Kluge (1980)
- The dream of a German film house / Edgar Reitz (1981)
- Tribute to Lotte Eisner / Werner Herzog (1982)
- Last words for Wolfgang Staudte / Christian Ziewer (1984)
- How a film classic becomes a video clip / Robert Van Ackeren (1985)
- Collective memory and national identity. That's entertainment: Hitler / Wim Wenders (1977)
- Germany in autumn: what is the film's bias? / Alf Brustellin, Rainer Werner Fassbinder, Alexander Kluge, Volker Schlöndorff, and Bernhard Sinkel
- The German feature film and reality / Rainer Werner Fassbinder (1978)
- The camera is not a clock / Edgar Reitz (1979)
- Mein Führer---our Hitler. The meaning of small words / Hans Jürgen Syberberg (1980)
- The experience of history / Eberhard Fechner (1984)
- The abode of the gods / Hans Jürgen Syberberg (1984)
- Bitburg: a text / Jean-Marie Straub (1985)
- In search of the lost Heimat / Josef Rödl (1986)
- Finding a home in Berlin / Martin Theo Krieger (1986)
- Filmmakers and critics. Learning to hear and see / Wim Wenders (1976)
- Public statement regarding Garbage, the city, and death / Rainer Werner Fassbinder (1976)
- Letter to Wolfram Schütte / Herbert Achternbusch (1979)
- My critics, my films, and I / Helma Sanders-Brahms (1980)
- Media response to Fassbinder's Berlin Alexanderplatz / Hans Jürgen Syberberg (1980)
- Response to H.C. Blumenberg / Christel Buschmann (1983)
- Directors and players. Talking about oppression with Margit Carstensen / Rainer Werner Fassbinder (1973)
- Some thoughts about Ernst / Wolfgang Petersen (1977)
- David Bennent and Oskar Mazerath / Volker Schlöndorff 1978)
- Working with Jutta Lampe / Margarethe von Trotta (1979)
- Erika from Würzburg: a portrait of the actress Magdalena Montezuma / Rosa von Praunheim (1981)
- Annamirl Bierbichler / Herbert Achternbusch (1984)
- Fire: Alfred Edel / Jean-Marie Straub (1986)
- Filmmakers and colleagues. A call to revolt: on Particularly noteworthy and Chronicle of Anna Magdalena Bach / Hellmuth Costard (1968)
- Red sun: baby, you can drive my car, and maybe I'll love you / Wim Wenders (1970)
- Searching for stories in a gray Germany / Doris Dörrie (1978)
- With fond greetings to Champagne-Schroeter / Rosa von Praunheim (1979)
- Homage to Werner Schroeter / Rainer Werner Fassbinder (1979)
- A rose for Rainer Werner / Herbert Achternbusch (1982)
- From beast to beast / Rosa von Praunheim (1982)
- Taking stock. Love of cinema / Edgar Reitz (1962)
- A dream / Volker Schlöndorff (1966)
- Amerika: report to the Goethe Institute / Herbert Achternbusch (1979)
- Thoughts about filmmaking in the FRG / Rudolf Thome (1980)
- 'New German cinema, jeune cinéma allemand, good night': a day in Oberhausen, 1982 / Helma Sanders-Brahms (1982)
- New German cindma, 1962-83: a view from Hamburg / Helmut Herbst (1983)
- Pact with a dead man / Alexander Kluge (1984).