The Flapper queens : women cartoonists of the jazz age /
The world of comic strips always reflected the fashion of the time-- from R.F. Outcault's nightie-clad 'Yellow Kid' to Grace Drayton's 'Campbell Kids'. By the 1920s all the little roly-poly girls depicted in those early strips had grown up, bobbed their curls, and becom...
Saved in:
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| Format: | Book |
| Language: | English |
| Published: |
Seattle, WA :
Fantagraphic Books, Inc.,
2020.
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| Edition: | First Fantagraphic Books edition. |
| Subjects: |
MARC
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| 100 | 1 | |a Robbins, Trina, |e author. | |
| 245 | 1 | 4 | |a The Flapper queens : |b women cartoonists of the jazz age / |c Trina Robbins. |
| 246 | 3 | 0 | |a Women cartoonists of the jazz age |
| 250 | |a First Fantagraphic Books edition. | ||
| 264 | 1 | |a Seattle, WA : |b Fantagraphic Books, Inc., |c 2020. | |
| 300 | |a ix, 157 pages : |b illustrations (chiefly color) ; |c 34 cm | ||
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| 520 | 8 | |a The world of comic strips always reflected the fashion of the time-- from R.F. Outcault's nightie-clad 'Yellow Kid' to Grace Drayton's 'Campbell Kids'. By the 1920s all the little roly-poly girls depicted in those early strips had grown up, bobbed their curls, and become flappers. Women got the vote in 1920, and suddenly they were equal to the boys-- at least in the voting booth. They smoked and drank bootleg hootch, they shortened their hair and skirts, and tossed out their corsets. It was a revolution, a time of excess and ebullience, and the flapper was the new queen-- and scores of women cartoonists chronicled her in the pages of America's newspapers. Fantagraphics celebrates that revolution with 'The Flapper Queens', a gorgeous oversized hardcover collection of full-color comic strips. In addition to featuring the more well-known cartoonists of the era, such as Ethel Hays and Nell Brinkley, Eisner-winning comics herstorian Robbins introduces you to women cartoonists like Eleanor Schorer, who started her career in the teens as a flowery art nouveau Nell Brinkley imitator, but by the '20s was drawing bold and outrageous art deco illustrations; Edith Stevens, who chronicled the fashion trends, hairstyles, and social manners of the '20s and '30s in the pages of The Boston Globe; and Virginia Huget, possibly the flappiest of the Flapper Queens, whose girls, with their angular elbows and knees, seemed to always exist in a euphoric state of Charleston. Trina Robbins welcomes you to the revolution with a coffee table book filled with liberating, full-color illustrations and comic strips. | |
| 505 | 0 | 0 | |g Introduction. |t Welcome to the revolution -- |g I. |t The mother of pretty girl comics: Nell Brinkley -- |g II. |t Art Deco artist: Eleanor Schorer -- |g III. |t Fashion plate: Edith Stevens -- |g IV. |t The prolific: Ethel Hays -- |g V. |t The self-deprecator: Fay King -- |g VI. |t The flappiest of the flapper queens: Virginia Huget -- |g Conclusion. |t Nell and the death of the flapper. |
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| 700 | 1 | |a Valenti, Kristy, |e editor. | |
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