Three weeks in Cincinnati in December /
"Those techniques, used through the work from start to finish, are multiphonics (or multiple stops), which suggest chordal textures; 'whistle tones', as Hellermann calls them in the score (Dick prefers the more poetic 'whisper tones'), which create eerily high-flying lines o...
Saved in:
| Main Author: | |
|---|---|
| Corporate Author: | |
| Other Authors: | |
| Format: | Audio |
| Language: | No linguistic content |
| Published: |
Brooklyn, NY :
New World Records,
[2017]
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| Subjects: |
MARC
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| 040 | |a TDF |b eng |e rda |c TDF |d NYP |d XFF |d RBN | ||
| 041 | 0 | |g eng | |
| 046 | |k 1979 |2 edtf | ||
| 050 | 4 | |a M62.H45 |b T47 2017 | |
| 100 | 1 | |a Hellermann, William |e composer. | |
| 240 | 1 | 0 | |a Three weeks in Cincinnati in December |
| 245 | 1 | 0 | |a Three weeks in Cincinnati in December / |c William Hellermann. |
| 246 | 3 | |a 3 weeks in Cincinnati in December | |
| 264 | 1 | |a Brooklyn, NY : |b New World Records, |c [2017] | |
| 264 | 4 | |c ℗2017 | |
| 300 | |a 1 audio disc (51:31) : |b digital, CD audio ; |c 4 3/4 in. | ||
| 306 | |a 005131 | ||
| 336 | |a performed music |b prm |2 rdacontent | ||
| 337 | |a audio |b s |2 rdamedia | ||
| 338 | |a audio disc |b sd |2 rdacarrier | ||
| 340 | |b 4 3/4 in. | ||
| 344 | |a digital |b optical |2 rda | ||
| 347 | |a audio file |b CD audio |2 rda | ||
| 380 | |a Art music |2 lcgft | ||
| 382 | 0 | 1 | |a flute |n 1 |s 1 |2 lcmpt |
| 500 | |a Title from disc label. | ||
| 500 | |a For flute. | ||
| 500 | |a Composed in 1979. | ||
| 511 | 0 | |a Robert Dick, flute. | |
| 518 | |o Recorded |d 2016 September 21 |p at the American Academy of Arts and Letters, New York. | ||
| 500 | |a "Anthology of Recorded Music, Inc." | ||
| 500 | |a Program notes by Allan Kozinn in English (11 pages) inserted in container. | ||
| 520 | |a "Those techniques, used through the work from start to finish, are multiphonics (or multiple stops), which suggest chordal textures; 'whistle tones', as Hellermann calls them in the score (Dick prefers the more poetic 'whisper tones'), which create eerily high-flying lines of counterpoint over the more standard flute tone; and abdominal tremolo, a form of energetic, sharply rhythmic breathing that produces a stream of short bursts. And the flutist executes all of this while circular breathing, a technique that gives the piece its non-stop seamlessness"--Insert, page 2. | ||
| 650 | 0 | |a Flute music. | |
| 655 | 7 | |a Art music. |2 lcgft | |
| 700 | 1 | |a Dick, Robert, |d 1950- |e instrumentalist. | |
| 710 | 2 | |a Anthology of Recorded Music, Inc., |e sponsoring body. | |
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