Sounding the classics : from Sophocles to Thomas Mann /
This book is a comparative study of twelve works of fiction broadly representative of the Western canon. Its aim is to discover what gives these twelve works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of "text" and "subtext&qu...
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Main Author: | |
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Format: | Book |
Language: | English |
Published: |
Westport, Conn. :
Praeger,
©1997.
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Series: | Contributions to the study of world literature ;
no. 83. |
Subjects: |
MARC
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082 | 0 | 4 | |a 809.3 |2 21 |
100 | 1 | |a Binion, Rudolph, |d 1927-2011. | |
245 | 1 | 0 | |a Sounding the classics : |b from Sophocles to Thomas Mann / |c Rudolph Binion. |
260 | |a Westport, Conn. : |b Praeger, |c ©1997. | ||
300 | |a 160 pages ; |c 24 cm. | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
490 | 1 | |a Contributions to the study of world literature, |x 0738-9345 ; |v no. 83 | |
504 | |a Includes bibliographical references and index. | ||
505 | 0 | |a Text and subtext -- The trouble with Oedipus: Sophocles' Oedipus the king -- Blood for blood: the Gospel according to Matthew -- In you my death, in you my life: the Tristan legend -- Lust forever: Dante's Inferno, the Francesca episode -- Strange mutations: Shakespeare's King Lear -- In flames and in tears: Racine's Phaedra -- A wanderer on earth: Goethe's The sorrows of young Werther -- On death row: Stendhal's The red and the black -- Like an echo fading: Flaubert's "A simple heart" -- Mankind revisited: Dostoyevsky's "The grand inquisitor" -- A lamed and tamed duck: Ibsen's The wild duck -- Death beckoning: Thomas Mann's Death in Venice -- From plagued Thebes to plagued Venice. | |
520 | |a This book is a comparative study of twelve works of fiction broadly representative of the Western canon. Its aim is to discover what gives these twelve works their lasting appeal and vitality over and beyond their formal qualities. It focuses on the interplay of "text" and "subtext" within each work after defining these terms at the outset. It then compares its twelve sample classics systematically in a conclusion that argues from the works themselves to classics in general. Binion's key finding is that for a piece of fiction to feel deep, whole, and great, as classics do, its text must be underpinned from start to finish by a subtext, or alternative reading, which calls that text itself into question. This is a book for scholar, student, and educated public alike; no serious reader will be able to consider what makes a classic without reference to this work. | ||
540 | |a Current Copyright Fee: GBP6.15 |c 0. |5 Uk | ||
650 | 0 | |a Fiction |x History and criticism. | |
650 | 7 | |a Fiction. |2 fast |0 (OCoLC)fst00923709 | |
650 | 7 | |a Weltliteratur |2 gnd | |
655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
830 | 0 | |a Contributions to the study of world literature ; |v no. 83. |x 0738-9345 | |
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