Speaking in other voices : an ethnography of Walloon puppet theaters /

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Bibliographic Details
Main Author: Gross, Joan
Format: Book
Language:English
Published: Amsterdam ; Philadelphia : J. Benjamins, ©2001.
Series:Pragmatics & beyond new ser. 91.
Subjects:
Table of Contents:
  • 1. Introduction
  • 2. Heteroglossia in Liege. 2.1. Language Change, Language Heterogeneity. 2.2. Linguistic Heterogeneity in Liege Prior to the Belgian State. 2.3. Metalinguistic Discourses in Belgium. 2.4. Contemporary Spoken Varieties along the French/Walloon Continuum. 2.5. Social Factors Triggering the Use of Walloon. 2.6. The Maintenance of Walloon in Verbal Art
  • 3. Class and Culture in 19th century Liege and the Rise of the Puppet Theater. 3.1. Work and Leisure: Setting the Scene. 3.2. Early Accounts of Puppetry. 3.3. The Changing Material Conditions. 3.4. Bourgeois Discovery of the Puppet Theater. 3.5. Folklore and Nation
  • 4. Manipulations and Transformations. 4.1. Cultural Discourses. 4.2. Work and Leisure. 4.3. The Belgian Centennial. 4.4. Who Speaks for the Puppets?: Joseph Maurice Remouchamps, Rodolphe de Warsage and Thomas Talbot. 4.5. Battles of Representation. 4.6. Gaston Engels and Adrien Dufour: Speaking Through Puppets Across Time.
  • 4.7. Changes in Form and Content
  • 5. The Past in the Present and the Practice of Puppetry. 5.1. Speaking Through Puppets: Genre, Tradition, and Style. 5.2. Connection to the Past through Stories, Books and Puppets. 5.3. Voices of the Master, or Becoming a Puppeteer 1. 5.4. Performance Settings. 5.5. Past and Present
  • 6. Entextualization/Intertextuality. 6.1. Writing Scripts. 6.2. Script to Performance. 6.3. Refractions of the Nativity. 6.4. Li Naissance: Semantico-Referential Variations. 6.5. Framing Performance
  • 7. Closing Intertextual Gaps. 7.1. Cultural Transmission. 7.2. Unscripted Continuity. 7.3. Rhythmic Continuity
  • 8. Embodying Identities 201. 8.1. Puppet Bodies and Voices: Semiotic Insights. 8.2. The Sociolinguistics of Performance. 8.3. Social Indexes in the Puppet Theater. 8.4. Evaluating Puppet Voices
  • 9. Religion and War. 9.1. Mimesis in Religion and War. 9.2. Religion and War in Official Discourse. 9.3. The Racial Other.
  • 9.4. Religion, Race, and War in the Puppet Theater
  • 10. The World of Puppets, The World of Puppeteers: Politics in Performance. 10.1. Gender and Class. 10.2. Immigration and Work. 10.3. Language Politics. 10.4. Regional Language Politics in Performance. 10.5. National Language Politics in Performance.