Intertextuality in western art music

Intertextuality in western art music /

"This book considers the significance of intertextuality in nineteenth- and twentieth-century instrumental music. Using Barthes's distinction between work and text, Klein's work offers a reconsideration of applications of Bloom's "anxiety of influence" theory to musical...

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Bibliographic Details
Main Author: Klein, Michael Leslie
Format: Book
Language:English
Published: Bloomington, IN : Indiana University Press, 2005.
Series:Musical meaning and interpretation
Subjects:
Music > Philosophy and aesthetics.
Intertextuality.
Music > Semiotics.
Esthétique musicale > Philosophie et esthétique.
Intertextualité.
Sémiotique et musique.
Musik
Poststrukturalismus
Muziekfilosofie.
Semiotiek.
Intertekstualiteit.
Musique > Philosophie et esthétique.
Sémiotique et musique.
Intertextualité.
Description
Summary:"This book considers the significance of intertextuality in nineteenth- and twentieth-century instrumental music. Using Barthes's distinction between work and text, Klein's work offers a reconsideration of applications of Bloom's "anxiety of influence" theory to musical composition, particularly by music scholars Joseph Straus and Kevin Korsyn. Klein draws on the semiotics of Nattiez; the literary and philosophical theories of Barthes, Foucault, Eco, Derrida, and others; Levi-Strauss's theory of myth; and various approaches to musical analysis."--Jacket.
Physical Description:xi, 182 pages : illustrations ; 25 cm.
Bibliography:Includes bibliographical references (pages 163-174) and index.
ISBN:0253344689
9780253344687

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