Michael Landy, out of order /
Michael Landy (b. 1963) belongs to the group of Young British Artists, who, beginning in 1988, caused an international sensation. He created installations, in which real life and fiction entered into an unsettling liaison. Landy's art is characterized by an intensive analysis of society, of its...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Heidelberg :
Kehrer,
[2016]
|
| Subjects: |
MARC
| LEADER | 00000cam a2200000Ii 4500 | ||
|---|---|---|---|
| 001 | 47197dbc-fa11-4520-b302-41340b1b4ebc | ||
| 005 | 20240707000000.0 | ||
| 008 | 160722t20162016gw a bc 000 0deng d | ||
| 016 | 7 | |a 1100893318 |2 DE-101 | |
| 019 | |a 953054472 | ||
| 020 | |a 9783868287172 |q (paperback) | ||
| 020 | |a 3868287175 |q (paperback) | ||
| 024 | 3 | |a 9783868287172 | |
| 035 | |a (MnMCA)008933458SYS01 | ||
| 035 | |a 953932210 |z 953054472 | ||
| 035 | |a ocn953932210 | ||
| 040 | |a OHX |b eng |e rda |c OHX |d YDXCP |d NYP |d YUS |d OCLCF |d OCLCQ |d UTO |d WAU |d FDA |d NUI |d CIA |d UBY |d CAD | ||
| 049 | |a CADA | ||
| 050 | 4 | |a N6797.L259 |b A4 2016 | |
| 090 | |a N6797.L249 |b A4 2016 |9 LOCAL | ||
| 100 | 1 | |a Landy, Michael, |d 1963- |e artist. | |
| 245 | 1 | 0 | |a Michael Landy, out of order / |c texts, Douglas Fogle [and five others] |
| 246 | 3 | 0 | |a Out of order |
| 264 | 1 | |a Heidelberg : |b Kehrer, |c [2016] | |
| 264 | 4 | |c ©2016 | |
| 300 | |a 240 pages : |b chiefly illustrations (some color) ; |c 33 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 336 | |a still image |b sti |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 386 | |n nat |a Britons |2 lcdgt | ||
| 500 | |a Catalog of the exhibition held in Museum Tinguely, Basel, June 8 to September 25, 2016. | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Michael Landy, out of order : Preface / Roland Wetzel -- Love will tear us apart / Douglas Fogle -- On the conveyor belt of the imachination / Stefan Zweifel -- Homage to New York // H.2.N.Y. / Andres Pardey -- Michael Landy and Catherine Lampert : out of order [interview] -- Market, 1990. Installation views Building One, London ; Appropriation 1,2,3, 1990, video stills, Michael Landy -- Michael Landy at Home, 1998 installation view, 7-9 Fashion Street, London -- Costermonger's Stalls and Barrows, 1991-1997. Costermonger's Stall No. 4, 1992-1997 -- Closing Down Sale, 1992. Installation views ; Shopping trolley, 1992-2016 -- Art Bin, 2010, installation view -- Self Portrait as Rubbish Bin, 2012 -- Run your Life, 1993, installation views -- Breaking News, 2015-2016. Installation views ; Single elements -- Scrapheap services, 1995. If cleanliness is next to Godliness, then welcome to heaven, 1993 ; We don't sweep it under the carpet, 1995 ; Scrapheap services, 1995, installation views ; Scrapheap Services, 1995, details ; We Love the Jobs You Hate, 1995 ; We Leave the Scum no Place to Hide, 1995 -- Machine Created to Destroy Tinguely Museum, 2009 -- Credit Card Destroying Machine, 2010 -- Break Down, 2001, installation views and details -- The Consuming Paradox, 1999 -- H.2.N.Y., 2006. Video stills from Donn Alan Pennebaker, Breaking it up at the Museum - Homage to New York, 1960 ; Homage to New York?, tear from Time Magazine, New York, 23.3.1960 ; H.2.N.Y. Blazing Sculpture Watered Down, The Stars and Stripes, 2006 ; H.2.N.Y. Self-constructing, self-destroying, 2006 ; H.2.N.Y. Homage to New York, 2007 ; H.2.N.Y. Failure of the Machine, 2007 ; H.2.N.Y. Self-destructing suicide machine, 2006 ; H.2.N.Y. Self-destroying Sculpture garden, 2006 ; H.2.N.Y. Tinguely's self-destructing sculpture, drowns itself in Maillol's The River, 2007 ; H.2.N.Y. I Thought Only Dreamers Destroyed Themselves, Anais Nin, 2006 ; H.2.N.Y. My Head on His Shoulders, 2007 -- | |
| 505 | 0 | |a Break Down Inventory, 2001 details -- Nourishment, 2002. Fat Hen 2, 2002 ; Bristley Ox-Tongue ; Fat Hen 1 ; Scentless Mayweed, 2002 ; Annual Mercury 1, 2002 ; Annual Mercury 2, 2002 ; Shepherd's Purse 3, 2002 -- Break Down Inventory, 2001 details -- The Landy Family, 2007-2008. Self Portrait ; Cheyne ; Conor ; Ellie ; Ethel ; John ; Lisa ; Maureen ; Phoebe ; Gillian ; Scarlett -- Saints Alive, 2010-2103. Giovanni Battista Cima da Conegliano, The Incredulity of Saint Thomas, about 1502-1504 Sassetta, The Stigmatisation of Saint Francis, 1437-1444 ; Lucas Cranach the Elder, Saints Genevieve and Apollonia, 1506 ; Pintoricchio, Saint Catherine of Alexandria with a Donor, probably about 1480-1500 ; Saint Stephen, 2014 ; Nationalised Saints, 2012 ; Multi-Saint, 2013 ; Doubting Thomas, 2, 2012 ; Saint Apollonia (defaced), 2013 ; Saint Appolonia, 2013 ; Saint Catherine Wheels found dumped outside The National Gallery, 2012 ; Spin the Saint Catherine Wheel and Win the Crown of Martyrdom, 2013 ; Wounds of Saint Francis, 2013 ; Saint Francis Lucky Dip 2013 -- ASBO, 2008. ASBO Medal, 2008 -- Acts of Kindness, London, 2010 ; Acts of Kindness, Sidney, 2011. Acts of Kindness, 2014 -- Welcome to my world, 2003-2004. Eubank vs M Watson, 2004 ; Isosorbide 20mg, 2004 ; Ulceration on the lateral margin of left foot, 2004 ; Singing of the Fairies I, 2004 ; Singing of the Fairies II, 2004 ; Squashed Moth, 2004 ; Aster Dwarf Queen, 2004 ; Peke's Kip, 2005 ; Sally Beauty Supply Comb, 2004 ; Dragonfly, 2004 ; Claudication, 2004 ; Self-contained (Arm), 2003 ; Self-contained (Head), 2003 ; Bypass, 2004 -- Left-sided Orchidectomy, 2005. Radical Orchidectomy for a Solid Mass in the Upper Pole of the Left Testis, 2005 -- | |
| 505 | 0 | |a Fake Fragments, 2008. Fake Fragment from Homage to New York (Saw and radio), 2008 ; Fake Fragment from Homage to New York (Spinner tub) ; Fake Fragment from Homage to New York (Toy Wagon) ; Fake Fragment from Homage to New York (Baby Bassinet) ; Fake Fragment from Homage to New York (Fan), 2010 ; Fake Fragment from Homage to New York (Text machine), 2008 ; Advertisement for the search for fragments from Homage to New York, Artforum, 2007 ; Jean Tinguely, Homage to New York (Suicide Carriage), 1960 ; Jean Tinguely, Homage to New York (part of the letter band, TU V), 1960 ; Jean Tinguely, Homage to New York (Méta-Matic drawing), 1960 ; Jean Tinguely, Homage to New York (Piano Leg), 1960 ; Jean Tinguely, Homage to New York (Fan), 1960 ; Jean Tinguely, Homage to New York (Wheels), 1960 ; Jean Tinguely, Homage to New York (Klaxon), 1960 -- Homo Bulla (Man is a bubble), 2015 -- Semi-detached, 2004. Semi-detached: John and Ethel Landy, 2004 ; Photographs of the house which were used for the creation of the reconstruction of the house ; Semi-detached, projection of Four Walls, 2004 ; Four Walls, 2004, video stills ; Semi-detached, projection of Shelf Life, 2004 ; Shelf Life, 2004, video stills ; Semi-detached, 2004, back view -- Bibliography, Exhibition works. | |
| 520 | 8 | |a Michael Landy (b. 1963) belongs to the group of Young British Artists, who, beginning in 1988, caused an international sensation. He created installations, in which real life and fiction entered into an unsettling liaison. Landy's art is characterized by an intensive analysis of society, of its attitude towards consumption, towards the world of commodities, the transience of things, and the way society deals with ownership and letting go of this. With his works, he raises essential (unspoken) questions: How does the ownership of material objects affect us? What do we need to live? But also: How creative is destruction? Time and again, the artist succeeds in coming up with plausible and surprising artistic formulations of these themes. With Break Down (2001), he became well known among a wider public: In a retail shop in London, he inventoried all objects he possessed at the time, only to destroy these within the frameworks of a regulated process. Landy concentrates on the function of art and artworks within society. The Museum Tinguely is presenting the artist's first retrospective exhibition. The accompanying catalog brings together works from 1990 to today and thus sheds light on his entire oeuvre to date. | |
| 590 | |a Committed to retain for the CALD Greenglass Cooperative Collection Management Program from 2020-01-01 to 2024-12-31 |5 CAD |9 local | ||
| 600 | 1 | 0 | |a Landy, Michael, |d 1963- |v Exhibitions. |
| 600 | 1 | 7 | |a Landy, Michael, |d 1963-. |2 fast |0 (OCoLC)fst00348836 |
| 650 | 0 | |a Art, British |y 20th century |v Exhibitions. | |
| 650 | 0 | |a Art, British |y 21st century |v Exhibitions. | |
| 650 | 0 | |a Installations (Art) |z Great Britain |v Exhibitions. | |
| 650 | 0 | |a Consumption (Economics) in art |v Exhibitions. | |
| 650 | 0 | |a Found objects (Art) |v Exhibitions. | |
| 650 | 0 | |a Assemblage (Art) |v Exhibitions. | |
| 650 | 0 | |a Destruction art. | |
| 650 | 7 | |a Art, British. |2 fast |0 (OCoLC)fst00816044 | |
| 650 | 7 | |a Installations (Art) |2 fast |0 (OCoLC)fst00974250 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Exhibition catalogs. |2 lcgft | |
| 655 | 7 | |a Exhibition catalogs. |2 fast |0 (OCoLC)fst01424028 | |
| 700 | 1 | |a Fogle, Douglas, |d 1964- |e author. | |
| 710 | 2 | |a Museum Jean Tinguely Basel, |e host institution. | |
| 999 | 1 | 0 | |i 47197dbc-fa11-4520-b302-41340b1b4ebc |l 990089334580104286 |s US-MNMCA |m michael_landy_out_of_order_________________________________________________2016_______kehrea________________________________________landy__michael_____________________p |
| 999 | 1 | 1 | |l 990089334580104286 |s ISIL:US-MNMCA |i Minneapolis College of Art and Design |t BKS |a STAX |c N6797.L249 A4 2016 |b 30121000744050 |x BOOK |y 2313694770004286 |p LOANABLE |