Spiders of the market : Ghanian trickster performance in a web of neoliberalism /
The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, reve...
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| Main Author: | |
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| Format: | Book |
| Language: | English |
| Published: |
Bloomington ; Indianapolis :
Indiana University Press,
[2016]
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| Series: | African expressive cultures
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| Subjects: |
MARC
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| 100 | 1 | |a Donkor, David Afriyie |e author. | |
| 245 | 1 | 0 | |a Spiders of the market : |b Ghanian trickster performance in a web of neoliberalism / |c David Afriyie Donkor. |
| 264 | 1 | |a Bloomington ; |a Indianapolis : |b Indiana University Press, |c [2016] | |
| 300 | |a xvii, 232 pages : |b illustrations ; |c 24 cm. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a African expressive cultures | |
| 504 | |a Includes bibliographical references and an index. | ||
| 505 | 0 | |a Introduction -- 1. From state to market : the history of a social compact -- 2. Once upon a spider : Ananse and the counterhegemonic trickster ethos -- 3. Selling the president : stand-up comedy and the politricks of endorsement -- 4. Ma Red's maneuvers : popular theater and "progressive" culture -- 5. In the house of stories : village aspirations and heritage tourism -- Conclusion. | |
| 520 | |a The Ghanaian trickster-spider, Ananse, is a deceptive figure full of comic delight who blurs the lines of class, politics, and morality. David Afriyie Donkor identifies social performance as a way to understand trickster behavior within the shifting process of political legitimization in Ghana, revealing stories that exploit the social ideologies of economic neoliberalism and political democratization. At the level of policy, neither ideology was completely successful, but Donkor shows how the Ghanaian government was crafty in selling the ideas to the people, adapting trickster-rooted performance techniques to reinterpret citizenship and the common good. Trickster performers rebelled against this takeover of their art and sought new ways to out trick the tricksters. | ||
| 650 | 0 | |a Theater |x Political aspects |z Ghana. | |
| 650 | 0 | |a Tricksters in literature | |
| 600 | 0 | 0 | |a Anansi |c (Legendary character) |
| 830 | 0 | |a African expressive cultures | |
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