Music in Bali : experiencing music, expressing culture /
Music in Bali introduces the ensemble tradition of Balinese music, reflecting cooperative aspects of the island's social organization. Drawing on many years of study with Balinese performers in the United States and extensive fieldwork in Bali, author Lisa Gold presents contemporary Balinese pe...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York :
Oxford University Press,
2005.
|
| Series: | Global music series
|
| Subjects: |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | 390f6998-dbd5-4add-855a-961cbbbcada5 | ||
| 005 | 20240716000000.0 | ||
| 008 | 040121s2005 nyua bkq 001 0 eng | ||
| 010 | |a 2004041563 | ||
| 019 | |a 54103801 |a 57512857 |a 63011439 |a 123218710 |a 775054742 |a 851757901 |a 964605516 |a 984709714 |a 988719564 |a 992024294 |a 993609568 |a 993724568 |a 995539038 |a 1039569778 |a 1044100345 |a 1056289940 |a 1060768232 |a 1065122338 |a 1073050470 |a 1079944515 |a 1084964421 |a 1090382534 |a 1118136182 |a 1155320493 |a 1161044896 |a 1181059370 |a 1184602565 |a 1298378431 | ||
| 020 | |a 0195141504 | ||
| 020 | |a 9780195141504 | ||
| 020 | |a 0195141490 |q (pbk.) | ||
| 020 | |a 9780195141498 |q (pbk.) | ||
| 035 | |a (OCoLC)60705130 |z (OCoLC)54103801 |z (OCoLC)57512857 |z (OCoLC)63011439 |z (OCoLC)123218710 |z (OCoLC)775054742 |z (OCoLC)851757901 |z (OCoLC)964605516 |z (OCoLC)984709714 |z (OCoLC)988719564 |z (OCoLC)992024294 |z (OCoLC)993609568 |z (OCoLC)993724568 |z (OCoLC)995539038 |z (OCoLC)1039569778 |z (OCoLC)1044100345 |z (OCoLC)1056289940 |z (OCoLC)1060768232 |z (OCoLC)1065122338 |z (OCoLC)1073050470 |z (OCoLC)1079944515 |z (OCoLC)1084964421 |z (OCoLC)1090382534 |z (OCoLC)1118136182 |z (OCoLC)1155320493 |z (OCoLC)1161044896 |z (OCoLC)1181059370 |z (OCoLC)1184602565 |z (OCoLC)1298378431 | ||
| 035 | |a (OCoLC)ocm60705130 | ||
| 035 | |a (EXLNZ-01MNPALS_NETWORK)9910193335604266 | ||
| 040 | |a DLC |b eng |c DLC |d IUL |d IBI |d SDA |d MUQ |d BAKER |d MDY |d UBY |d NLGGC |d BTCTA |d YDXCP |d GEBAY |d IG# |d TMI |d CGW |d OCLCQ |d LS1 |d BDX |d ERD |d OCLCF |d ICW |d OCLCQ |d CSJ |d OCLCO |d DEBBG |d OCLCQ |d MBE |d OCLCQ |d CSA |d OCL |d ERL |d CEF |d OCLCQ |d CNO |d EUQ |d OCLCQ |d OCLCO |d TJC |d OCLCA |d NLW |d L2U |d MIR |d OCLCO | ||
| 042 | |a pcc | ||
| 043 | |a a-io--- | ||
| 049 | |a MNTA | ||
| 050 | 0 | 0 | |a ML345.I5 |b G65 2005 |
| 082 | 0 | |a 780/.9598/6 |2 22 | |
| 083 | 0 | |a 780.95 | |
| 084 | |a 24.70 |2 bcl | ||
| 084 | |a LS 45300 |2 rvk | ||
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Gold, Lisa |q (Lisa Rachel) | |
| 245 | 1 | 0 | |a Music in Bali : |b experiencing music, expressing culture / |c Lisa Gold. |
| 260 | |a New York : |b Oxford University Press, |c 2005. | ||
| 300 | |a xxiii, 178 pages : |b illustrations ; |c 22 cm + |e 1 audio disc (digital ; 4 3/4 in.) | ||
| 306 | |a 011903 | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 490 | 1 | |a Global music series | |
| 504 | |a Includes bibliographical references (pages 162-166), discography (p. 166-167) , videography (p. 168) , and index. | ||
| 505 | 0 | |a The Balinese ceremonial soundscape: simultaneity of soundings -- Instruments: materials, tuning, and timbre -- Interlocking and layering: musical roles in the ensemble -- The world of stories: integration of music, dance, and drama in traditional Balinese theater -- Characterization, movement, and gong structures that enliven Balinese theater -- Large-scale form in Gong Kebyar and its antecedents -- Conclusion: three themes revisited at a cremation ceremony. | |
| 505 | 2 | |a 1. The Balinese ceremonial soundscape: simultaneity of soundings -- Place, time, and circumstance -- The act of offering -- Thinking in threes: historical periods, degrees of sacredness, and spatial orientation of the performing arts -- 2. Instruments: materials, tuning, and timbre -- The power of bronze -- Tuning and timbre -- The waves of paired tuning: a gamelan's breath of life -- Tuning systems, scales, and notation -- Gamelan Gong Kebyar: the explosive twentieth-century style -- Instrument families in Gamelan music -- 3. Interlocking and layering: musical roles in the ensemble -- The musical community of a Gamelan Sekaha -- The stratified texture of Gamelan: simultaneous melodies -- Leadership, cueing, and ensemble interaction -- 4. The world of stories: integration of music, dance, and drama in traditional Balinese theater -- Playing the past in the present -- Assumptions and conventions in traditional Balinese theater -- Wayang Kulit (Shadow puppet theater) -- 5. Characterization, movement, and gong structures that enliven Balinese theater -- Aesthetics and character types: Halus (refined) and Keras (strong) -- Male, female, and androgynous dance styles -- Topeng (Masked dance drama) -- Legong -- Elements of dance and music in Topeng and Legong -- Listening to two Topeng pieces -- Kecak -- 6. Large-scale form in Gong Kebyar and its antecedents -- "Classical" tripartite form -- Listening to an entire piece: the tripartite form in "Sinom Ladrang" -- Innovations in form and texture in Kebyar Kreasi Baru (new creations) -- 7. Conclusion: three themes revisited at a cremation ceremony. | |
| 505 | 2 | |a CD Track List -- 1. Night sounds -- 2. Gamelan gong playing a temple piece with priest's and congregation chanting in distance -- 3. Gamelan gong playing the gineman (introductory section) of the lalambatan (slow temple piece) "Jagul" (I Dewa Alit, trompong, Sanggar Çudamani) -- 4. Gamelan gong playing the pangawak (main body) of the lalambatan (temple piece) "Jagul" (I Dewa Alit, trompoing, Sanggar Çudamani) -- 5. Gamenlan gender wayang in wayang lemah (daytime ceremonial shadow play) performance during a ceremony (Gender wayang performers from Kayu Mas, Badung, Denpasar, include I Wayan Konolan and I Wayan Sujana; dalang [shadow master] Ida Bagus Ngurah Buduk) -- 6. "Topeng Keras" (accompanies a strong topeng characer) -- 7. "Topeng Arsa Wijaya" (accompanies a refined character) -- 8. Gamelan gambuh: gineman and dramatic excerpt illustrating stylized speech (Batuan Gambuh ensemble, vital records 501, track 1, "Batel" selisir mode, with permission) -- 9. Gamelan balaganjur playing a processional gilak piece -- 10. Gamelan balaganjur playing a kreasi (new creation) for procession (Sanggar Çudamani) -- 11. Gamelan gong kebyar "Java Semara" complete version (Sanggar Çudamani) -- 12. Gamelan jegog Werdi Sentana, "Jegog. Bamboo Gamelan of Bali" -- 13. The "wave" of paired tuning -- 14. Three pentatonic scales in the pelog tuning system -- 15. Listening to the gongs -- 16. "Java Semara" demonstration, building up layers; structural framework of gongs; low instruments; ugal; gangsas and reyong -- 17. Drums: syllables spoken by I Dewa Putu Berata, then a pattern played on two interlocking drums -- 18. Gangsa kotekan norot (single-note interlocking) -- 19. Gangsa kotekan nyong-cag (leaping interlocking) -- 20. Pangecet (final) section of the piece "Java Semara," alternating between two types of gangsa interlocking -- 21. Kotekan telu from the piece "Jauk Manis" -- 22. Same kotekan as in track 21, played at a faster tempo. | |
| 505 | 2 | |a 23. Same kotekan with full gamelan -- 24. Expansion and contraction of a kotekan empat (4) pattern, from the piece "Teruna Jaya" -- 25. Ocak-ocakan reyong alone ("Teruna Jaya," Sanggar Çudamani) -- 26. Same excerpt with full ensemble ("Teruna Jaya," Vital records, 401 with permission) -- 27. Reyong syncopated interlocking patterns from "Topeng Keras" -- 28. Reyong norot interlocking from pangecet "Jaya Semara" -- 29. Gineman and beginning of "Sekar Sungsang," a "sitting piece" named after a kind of flower, played on gender wayang -- 30. Batel (a colotomic meter used for action scenes) -- 31. Omang Barong (a colotomic meter used in Barong dance drama) -- 32. Bapang (a colotomic meter) -- 33. Gabor Longgor (a colotomic meter, here used in "Jauk Manis") -- 34. Gilak (a colotomic meter used for processions and "Topeng Keras") -- 35. "Topeng Keras," layering demonstration -- 36. Kecak, the "Monkey chant," a sequence of forms and melodies -- 37. Kecak, a 16-beat melody -- 38. "Sinom Ladrang" playing by Sanggar Çudamani -- 39. "Jagra Parwata" (The awakening of the mountain), Kreasi Baru for Gong Kebyar by I Nyoman Windha -- 40. "Pengastukara" [We give blessing], a new composition for gamelan semarandana, composed by I Dewa Ketutu Alit, performed by Sanggar Çudamani -- 41. Gamelan angklung: two excerpts of a field recording from a melaspas cermeony inaugurating a house temple in Pengosekan, Gianyar; kidung chanting is heard in the background. | |
| 520 | |a Music in Bali introduces the ensemble tradition of Balinese music, reflecting cooperative aspects of the island's social organization. Drawing on many years of study with Balinese performers in the United States and extensive fieldwork in Bali, author Lisa Gold presents contemporary Balinese performance within its cultural and historical context, linking Bali's rich past to its current role in modern, globalized society. She illustrates how new compositions borrow material from earlier traditions while also allowing for individual expression and innovation in vibrant present-day culture. By describing various performances--from a temple ceremony, to a shadow puppet performance, to a masked dance drama--Music in Bali surveys a wide range of performance contexts, from the highly sacred to the secular. It looks at the interconnected layers of the Balinese musical tradition, showing how the island's music, dance, theater, and ritual are intertwined. Music in Bali is enhanced by eyewitness accounts of local performances, interviews with key performers, and vivid illustrations. Packaged with a 70-minute CD containing examples of the music discussed in the book, it features guided listening and hands-on activities that encourage readers to engage actively and critically with the music [Publisher description]. | ||
| 511 | 0 | |a "Unless otherwise noted, all recordings are field recordings of the gamelan group Sanggar Çudamani"--P. xxi. | |
| 583 | 1 | |a Committed to retain |c 2020 |2 pda |5 UkLeU | |
| 590 | |a Physical CD is NOT AVAILABLE - clicl electronic link to hear music. |9 LOCAL | ||
| 650 | 0 | |a Music |z Indonesia |z Bali Island |x History and criticism. | |
| 651 | 0 | |a Balinese (Indonesian people) |x Social life and customs | |
| 650 | 6 | |a Musique |z Indonésie |z Bali (Île) |x Histoire et critique. | |
| 650 | 6 | |a Balinais |x Mœurs et coutumes. | |
| 650 | 7 | |a 24.70 ethnomusicology. |0 (NL-LeOCL)077601602 |2 bcl | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 651 | 7 | |a Indonesia |z Bali Island. |2 fast |0 (OCoLC)fst01241480 | |
| 650 | 7 | |a Musik |2 gnd | |
| 650 | 7 | |a Volksmusik |2 gnd | |
| 650 | 1 | 7 | |a Volksmuziek. |2 gtt |
| 650 | 1 | 7 | |a Sociale aspecten. |2 gtt |
| 651 | 7 | |a Bali |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a World music. |2 local006juunn n | |
| 830 | 0 | |a Global music series | |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 990065335100104271 |s US-MNMANBC |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 990059742430104303 |s US-MNMN |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 990075051910104300 |s US-MNMOHS |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 991001012449703690 |s US-MNRON |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 991000122409703686 |s US-MNSB |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 991001783249703688 |s US-MNSH |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 991003858739703691 |s US-MNSST |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 9913160240001701 |s US-MNU |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 990029684820104321 |s US-MNWINOS |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 0 | |i 390f6998-dbd5-4add-855a-961cbbbcada5 |l 990053256000104314 |s US-MNWINOSM |m music_in_baliexperiencing_music_expressing_culture_________________________2005_______oxfora________________________________________gold__lisa_________________________p |
| 999 | 1 | 1 | |l 990065335100104271 |s ISIL:US-MNMANBC |i Bethany Lutheran College |t BKS |a GEN |c ML345.I5 G65 2005 |b 30219001324185 |x BOOK |y 2312710570004271 |p LOANABLE |
| 999 | 1 | 1 | |l 990059742430104303 |s ISIL:US-MNMN |i Normandale Community College |t BKS |a GEN |c ML345.I5 G65 2005 |b 30205003232799 |x BOOK |y 2312856660004303 |p LOANABLE |
| 999 | 1 | 1 | |l 990075051910104300 |s ISIL:US-MNMOHS |i Minnesota State University Moorhead |t BKS |a LCAM |c ML345.I5 G65 2005 |b 30104010146797 |x BOOK |y 2332651760004300 |p LOANABLE |
| 999 | 1 | 1 | |l 991001012449703690 |s ISIL:US-MNRON |i University of Northwestern - St. Paul |t BKS |a MAIN |c 780/.9598/6 |b 30540003432589 |x BOOK |y 2335528040003690 |p LOANABLE |
| 999 | 1 | 1 | |l 991000122409703686 |s ISIL:US-MNSB |i Bethel University |t BKS |a main |c 780/.9598/6 |b 30512021053945 |x BOOK |y 2392299390003686 |p LOANABLE |
| 999 | 1 | 1 | |l 991001783249703688 |s ISIL:US-MNSH |i Hamline University |t BKS |a b |c ML345.I5 G65 2005 |b 30521021816698 |x BOOK |y 23144681500003688 |p LOANABLE |
| 999 | 1 | 1 | |l 991003858739703691 |s ISIL:US-MNSST |i University of St. Thomas, O'Shaughnessy-Frey Library |t BKS |a MAIN |c ML345.I5 G65 2005 |b 30516021577134 |x BOOK |y 23263213340003691 |p LOANABLE |
| 999 | 1 | 1 | |l 9913160240001701 |s ISIL:US-MNU |i University of Minnesota |t BKS |a TMUSIGEN |c ML345.I5 G65 2005 |d LCC |b 31951P00877912B |x BOOK |y 23309852770001701 |p LOANABLE |
| 999 | 1 | 1 | |l 9913160240001701 |s ISIL:US-MNU |i University of Minnesota |t BKS |a TMUSIGEN |c ML345.I5 G65 2005 |d LCC |b 31951D02343899A |x RECORD |y 23309852760001701 |p LOANABLE |
| 999 | 1 | 1 | |l 990029684820104321 |s ISIL:US-MNWINOS |i Winona State University |t BKS |a CDS |c ML345.I5 G65 2005 |b 30106004971668 |x CD |y 2370305640004321 |p LOANABLE |
| 999 | 1 | 1 | |l 990029684820104321 |s ISIL:US-MNWINOS |i Winona State University |t BKS |a MAIN |c ML345.I5 G65 2005 |b 30106004560172 |x BOOK |y 2347788930004321 |p LOANABLE |
| 999 | 1 | 1 | |l 990053256000104314 |s ISIL:US-MNWINOSM |i Saint Mary's University of Minnesota, Winona |t BKS |a GENUP |c 780.95986 G61 |b 33500002033249 |x BOOK |y 2325914620004314 |p LOANABLE |