Narrative in the feminine : Daphne Marlatt and Nicole Brossard /

"Susan Knutson begins her study with an analysis of the contributions made by Marlatt and Brossard to international feminist theory. Part Two presents a narratological reading of How Hug a Stone, arguing that at the deepest level of narrative, Marlatt constructs a gender-inclusive human subject...

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Bibliographic Details
Main Author: Knutson, Susan Lynne
Format: Book
Language:English
Published: Waterloo, Ont. : Wilfrid Laurier University Press, ©2000.
Subjects:

MARC

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100 1 |a Knutson, Susan Lynne 
245 1 0 |a Narrative in the feminine :  |b Daphne Marlatt and Nicole Brossard /  |c Susan Knutson. 
260 |a Waterloo, Ont. :  |b Wilfrid Laurier University Press,  |c ©2000. 
300 |a xii, 233 pages :  |b illustrations ;  |c 24 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
504 |a Includes bibliographical references and index. 
505 0 0 |g Pt. 1.  |t Gender and Narrative Grammar.  |g 1.  |t Writing Women: Some Introductory Questions.  |g 2.  |t Theories of the (Masculine) Generic.  |g 3.  |t Narrative, Gnosis, Cognition, Knowing: Em[+female]bodied Narrative and the Reinvention of the World --  |g Pt. 2.  |t A Narratological Reading of How Hug a Stone.  |g 4.  |t Fabula: Beyond Quest Teleology.  |g 5.  |t Story: Where the Body Is Written.  |g 6.  |t Textual Subjectivity, Marlatt's i/eye.  |g 7.  |t Intertextual Narrative --  |g Pt. 3.  |t A Narratological Reading of Picture Theory.  |g 8.  |t Fabula: Hologram.  |g 9.  |t Story: The Holographic Plate.  |g 10.  |t Text: In Which the Reader Sees a Hologram in Her Mind's Eye.  |g 11.  |t Intertextual Metanarrative --  |g Pt. 4.  |t Afterword.  |g 12.  |t In the Feminine.  |9 bnatoc 
520 1 |a "Susan Knutson begins her study with an analysis of the contributions made by Marlatt and Brossard to international feminist theory. Part Two presents a narratological reading of How Hug a Stone, arguing that at the deepest level of narrative, Marlatt constructs a gender-inclusive human subject that defaults not to the generic masculine but to the feminine. Part Three proposes a parallel reading of Picture Theory, Brossard's playful novel that draws us into (re-) readings of many other texts written by Brossard, Barnes, Wittig, Joyce, de Beauvoir, Homer...to name a few. Chapter 12 closes with a reflection on the expression ecriture au feminin - a Quebecois contribution to an international theoretical debate." "Readers who care about feminist writing and language theory, and students and teachers of Canadian literature and critical and queer studies, will find this book invaluable for its careful readings, its scholarly overview, and its extension of the feminist concept of the generic."--BOOK JACKET.  |9 bnatoc 
600 1 0 |a Marlatt, Daphne.  |t How hug a stone. 
600 1 0 |a Brossard, Nicole.  |t Picture theory. 
600 1 6 |a Marlatt, Daphne.  |t How hug a stone. 
600 1 6 |a Brossard, Nicole.  |t Picture theory. 
650 0 |a Feminist literary criticism 
650 0 |a Dialogue in literature 
650 0 |a Canadian literature  |x Women authors  |x History and criticism 
650 0 |a Canadian literature  |y 20th century  |x History and criticism 
650 6 |a Critique féministe. 
650 6 |a Dialogue dans la littérature. 
650 6 |a Écrits de femmes canadiens  |x Histoire et critique. 
650 6 |a Littérature canadienne  |y 20e siècle  |x Histoire et critique. 
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