Nineteenth century art : a critical history /

"Since its first publication in 1994, this book has established itself as the most popular and highly regarded textbook in the field. It embraces many aspects of the so-called "new" art history while at the same time emphasizing the remarkable vitality, salience, and subversiveness of...

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Bibliographic Details
Main Author: Eisenman, Stephen
Other Authors: Crow, Thomas E., 1948-
Format: Book
Language:English
Published: New York : Thames & Hudson, 2011.
Edition:4th ed.
Subjects:

MARC

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246 3 |a 19th century art 
250 |a 4th ed. 
260 |a New York :  |b Thames & Hudson,  |c 2011. 
300 |a 504 pages :  |b illustrations (some color) ;  |c 27 cm 
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500 |a "College edition"--Cover. 
504 |a Includes bibliographical references (pages 489-492) and index. 
505 0 |a Introduction: Critical art and history -- Classicism and Romanticism. Patriotism and virtue : David to the Young Ingres / Thomas Crow ; Classicism in crisis : Gros to Delacroix / Thomas Crow ; The tensions of enlightenment : Goya ; Visionary history painting : Blake and his contemporaries / Brian Lukacher ; Nature and history in English romantic landscape painting / Brian Lukacher ; Landscape art and romantic nationalism in Germany and America / Brian Lukacher ; Architecture unshackled, 1790-1851 / Brian Lukacher -- New World Frontiers. Old world, new world : the encounter of cultures on the American frontier / Frances K. Pohl ; Black and white in America / Frances K. Pohl -- Realism and Naturalism. The generation of 1830 and the crisis in the public sphere ; The rhetoric of realism : Courbet and the origins of the avant-garde ; Photography, modernity, and art / David Llewellyn Phillips ; The decline of history painting : Germany, Italy, France, and Russia -- Modern art and Life. Architecture and design in the age of industry ; Manet and the impressionists ; Issues of gender in Cassatt and Eakins / Linda Nochlin ; Mass culture and utopia : Seurat and neoimpressionism ; The appeal of modern art : Toulouse-Lautrec ; Abstraction and populism : Van Gogh ; Symbolism and the dialectics of retreat ; The failure of success of Cézanne. 
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