Spanish cinema : the auteurist tradition /
"This volume offers lively readings of films by key directors working to a large extent in the art-movie/'auteurist' field, and aims to strike a balance between representative films, directors and periods. Each chapter concentrates on a single film, discussing it in accessible critica...
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| Format: | Book |
| Language: | English |
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Oxford :
Oxford University Press,
1999.
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| Subjects: |
MARC
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| 082 | 0 | 4 | |a 791.430946 |2 21 |
| 245 | 0 | 0 | |a Spanish cinema : |b the auteurist tradition / |c edited by Peter William Evans. |
| 260 | |a Oxford : |b Oxford University Press, |c 1999. | ||
| 300 | |a xxii, 350 pages, 8 unnumbered pages of plates : |b illustrations ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 504 | |a Includes bibliographic references and index. | ||
| 505 | 0 | 0 | |t Prologue: The Long March of the Spanish Cinema towards Itself / |r Jose Luis Borau -- |g 1. |t Introduction / |r Peter William Evans -- |g 2. |t Bienvenido Mr. Marshall! (Berlanga, 1952) / |r Wendy Rolph -- |g 3. |t In Search of a New Spanish Realism: Bardem's Calle Mayor (1956) / |r Stephen Roberts -- |g 4. |t Saura's Los golfos (1959; Released 1962): Heralding a New Cinema for the 1960s / |r Maria Delgado -- |g 5. |t Culture and Acculturation in Manuel Summers's Del rosa ... al amarillo (1963) / |r Susan Martin-Marquez -- |g 6. |t Fetishism and the Problem of Sexual Difference in Bunuel's Tristana (1970) / |r Jo Labanyi -- |g 7. |t Between Metaphysics and Scientism: Rehistoricizing Victor Erice's El espiritu de la colmena (1973) / |r Paul Julian Smith -- |g 8. |t Furtivos (Borau, 1975): My Mother, my Lover / |r Peter William Evans -- |g 9. |t Sex Change and Cultural Transformation in Aranda and Abril's Cambio de sexo (1977) / |r Marsha Kinder -- |g 10. |t Feminism, Politics, and Psychosis in Fernan Gomez's Mi hija Hildegart (1977) / |r Dominic Keown -- |9 bnatoc |
| 505 | 8 | 0 | |g 11. |t El corazon del bosque (Gutierrez Aragon, 1979): Mist, Myth, and History / |r John Hopewell -- |g 12. |t Female Subjectivity in Gary Cooper que estas en los cielos (Miro, 1980) / |r Rikki Morgan -- |g 13. |t Re-imaging the Community: Imanol Uribe's La muerte de Mikel (1983) and the Cinema of Transition / |r Marvin D'Lugo -- |g 14. |t Epilogo (Suarez, 1984) / |r Xon de Ros -- |g 15. |t Que he hecho yo para merecer esto? (Almodovar, 1984) / |r Nuria Triana-Toribio -- |g 16. |t La vida alegre (Colomo, 1986) / |r Robin Fiddian -- |g 17. |t Las cosas del querer (Chavarri, 1989) / |r Chris Perriam -- |g 18. |t Motherland: Space, Femininity, and Spanishness in Jamon jamon (Bigas Luna, 1992) / |r Celestino Deleyto -- |g 19. |t Promiscuity, Pleasure, and Girl Power: Fernando Trueba's Belle Epoque (1992) / |r Barry Jordan -- |g 20. |t Julio Medem's Vacas (1991): Historicizing the Forest / |r Isabel C. Santaolalla -- |g 21. |t The Eroteticism of Nadie hablara de nosotras cuando hayamos muerto (Diaz Yanes, 1995) / |r Bernard P. E. Bentley. |9 bnatoc |
| 520 | 1 | |a "This volume offers lively readings of films by key directors working to a large extent in the art-movie/'auteurist' field, and aims to strike a balance between representative films, directors and periods. Each chapter concentrates on a single film, discussing it in accessible critical language that takes account both of the distinctiveness of film as an art form and of the material and socio-historical contexts in which each film was made."--BOOK JACKET. |9 bnatoc | |
| 650 | 0 | |a Motion pictures |z Spain |x History | |
| 700 | 1 | |a Evans, Peter William | |
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