Table of Contents:
  • Race, class, and gender in the Southwest: foundations of an American resistance literature and its literary history
  • The folk base of Chicano narrative: Americo Paredes' With his pistol in his hand and the Corrido tradition
  • Paredes, Villarreal, and the dialectics of history
  • Beyond good and evil: Utopian dialectics in Tomas Rivera and Oscar Zeta Acosta
  • Rolando Hinojosa's Korean love songs and the Klail City death trip: a border ballad and its heroes
  • Ideologies of the self: Chicano autobiography
  • The dialectics of subjectivity: gender and difference in Isabella Rios, Sandra Cisneros, and Cherrie Moraga
  • Conclusion: The reconstruction of American literary history.