Ludovico Carracci and the art of drawing /

"Ludovico Carracci (1555-1619) was a pivotal innovator in Italian painting at the turn of the seventeenth century. Carracci's highly individual approaches to religious subjects made him one of the great interpreters of Christian art, and the dramatic lighting and emotionality of his pictur...

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Bibliographic Details
Main Author: Bohn, Babette, 1950-
Format: Book
Language:English
Published: Turnhout : Harvey Miller, ©2004.
Subjects:

MARC

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245 1 0 |a Ludovico Carracci and the art of drawing /  |c Babette Bohn. 
260 |a Turnhout :  |b Harvey Miller,  |c ©2004. 
300 |a 642 pages :  |b illustrations ;  |c 29 cm 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
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504 |a Includes bibliographical references (pages 621-633) and indexes. 
505 0 |a The context of early modern Bologna -- Ludovico Carracci pittore -- Works on paper in sixteenth-century Bologna -- Chalk drawings -- Pen drawings -- Catalogue of drawings by Ludovico Carracci. Autograph drawings ; Questionable attributions ; Rejected attributions -- List of print rooms visited. 
520 1 |a "Ludovico Carracci (1555-1619) was a pivotal innovator in Italian painting at the turn of the seventeenth century. Carracci's highly individual approaches to religious subjects made him one of the great interpreters of Christian art, and the dramatic lighting and emotionality of his pictures exerted a seminal influence on Italian painting." "Carracci was a prolific draftsman who produced over 300 extant drawings. His drawings offer the key to his artistic personality, because he conceived his original subjects, studied his figures from life, and planned his painted compositions in these sheets. Thus his drawings reveal how he thought, how his ideas changed, and which features of a composition were most important or challenging to his creative imagination. But Ludovico's drawings were not only preparatory studies for his pictures. He was also an innovator in developing finished compositional drawings that were produced as works of art in their own right, made for sale to a new audience of private collectors in Bologna." "This groundbreaking study of Ludovico Carracci's drawings examines his style, methods, iconography, and chronology, also considering the historical context of Carracci's native city and the portrayal of women in the artist's work. Discussing drawings in relation to contemporary religious, social, and intellectual developments, the book's five chapters analyze pertinent aspects of early modern Bologna, Carracci's development as a painter, earlier traditions for works on paper in the city, and the artist's production of drawings. The book concludes with a fully illustrated catalogue raisonne of Ludovico's autograph drawings, questionable sheets, and rejected attributions."--Jacket. 
648 4 |a Geschichte 1500-1600. 
600 1 0 |a Carracci, Lodovico,  |d 1555-1619  |x Criticism and interpretation. 
600 1 0 |a Carracci, Lodovico,  |d 1555-1619  |v Catalogues raisonnés. 
600 1 6 |a Carracci, Lodovico,  |d 1555-1619  |x Critique et interprétation. 
600 1 6 |a Carracci, Lodovico,  |d 1555-1619  |v Catalogues raisonnés. 
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655 4 |a Werkverzeichnis. 
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